![Zelenka: Missa Sancti Josephi - Partition | Carus-Verlag Zelenka: Missa Sancti Josephi - Partition | Carus-Verlag](https://www.carusmedia.com/images-intern/medien//20/2708200/2708200u.jpg)
Jan Dismas Zelenka’s Missa Sancti Josephi occupies a key position among his circa twenty large masses. In this mass, probably composed in 1732 for a feast of a Saint (thus, without a Credo), for the first time the composer took up the operatic style of Johann Adolf Hasse – the latter had first performed his opera Cleofide in Dresden in 1731. Zelenka’s unmistakable individuality created a completely independent work with great technical demands which in many details presages the important masses among his late works. The sole source for the first edition of this mass, published here for the first time, is a considerably damaged autograph score which. It is preserved in the Sächsische Landes- und Universitätsbibliothek Dresden. For the Carus edition the experienced Zelenka scholar Wolfgang Horn has expertly reconstructed the missing passages.
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Informations complémentaires sur l'œuvre
Sommaire
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Compositeur
Jan Dismas Zelenka
| 1679-1745The Bohemian composer Jan Dismas Zelenka was a double bass player and church music composer at the Saxon court of the Elector August the Strong and his son Friedrich August II. In the years after 1721 he composed an extensive repertoire of Catholic church music together with the Kapellmeister Johann David Heinichen. These works, together with the Dresden operas composed by Johann Adolf Hasse in quick succession from 1731 onwards, established the reputation of the Saxon court as one of the most important musical centers of the late Baroque period. Plus d'information sur la personne
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Éditeur
Wolfgang Horn
| 1956-2019
Critiques
... Nimmt man sich des Werkes an, werden Ausführende wie Zuhörer reich belohnt!
Württembergische Blätter für Kirchenmusik 3/2019
... Ein reizvolles und anspruchsvolles Werk, das es zu entdecken gilt.
Andreas Peterl, singende kirche, 1/2019
... Der Chorsatz ist spritzig und ungemein originell in den ausladenden Chorfugen, etwa bei „Cum Sancto Spiritu“ am Ende des Gloria.
Kirchenmusikalische Mitteilungen der Erzdiözese Freiburg, Mai 2019