![Telemann: Twelve canons with verses from the psalms - Partition | Carus-Verlag Telemann: Twelve canons with verses from the psalms - Partition | Carus-Verlag](https://www.carusmedia.com/images-intern/medien//30/3910000/3910000u.jpg)
Twelve canons with verses from the psalms
Les douze "Spruchkanons" éclairent un aspect particulier du talent de Telemann : il réussit comme peu de ses contemporains à donner grâce mélodique et expression naturelle à cette forme contrapuntique stricte. Les canons se basent sur des psaumes célèbres, ce qui en permet de nombreuses utilisations religieuses.
Acheter
Informations complémentaires sur l'œuvre
Sommaire
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Compositeur
Georg Philipp Telemann
| 1681-1767Telemann's extremely rich compositional output, the fruits of three quarters of a century's work, encompasses almost all genres of music; in his vocal works it ranges from songs with basso continuo accompaniment to chamber and church cantatas, and to opera. In his own assessment, church music played a central role in his output; he alone probably composed over 1,600 church cantatas, as well as cantata-style funeral music settings (such as Du aber, Daniel, gehe hin), psalm settings (for example, Deus judicium tuum) and oratorios. Throughout his works Telemann showed himself to be a progressive composer, open to new trends and keen to experiment whilst exploring new directions; not without reason was he called a forerunner of classicism. However, his compositions constitute only a part of his importance to music history: as a music publisher, the author of publications for teaching, the director of middle-class music societies and initiator of public concerts, he made a considerable contribution to creating the preconditions for the support of the musically-educated middle classes in the ensuing era of music. Plus d'information sur la personne
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Éditeur
Klaus Hofmann
| 1939
Critiques
[...] eine verdienstvolle Edition, die sehr zu empfehlen ist.
Kirchenmusikalische Mitteilungen der Erzdiözese Freiburg, November 2011
Ein Chor wird an diesen kleinen, meisterhaft nach dem Affekt der Texte erfundenen Kostbarkeiten seine Freude haben.
Württembergische Blätter für Kirchenmusik, 4/2012