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Donner-Ode
TVWV 6:3, 1756/1760
The ambitious late work of Georg Philipp Telemann, consciously dedicated to vocal composition, begins with the Donner-Ode (1756/1760). As a symbol thunder represents the forces of nature, here in close connection to the traumatic earthquake of Lisbon in 1755. The characteristic arrangement of the vocal parts and the scoring with three trumpets, the soloistic use of the timpani and instrumental ensemble made this avant-garde work popular and well known already during the composer's lifetime. The new edition presented here takes into consideration important, newly discovered sources such as the autograph of the first part.
Acheter
Informations complémentaires sur l'œuvre
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Compositeur
Georg Philipp Telemann
| 1681-1767Telemann's extremely rich compositional output, the fruits of three quarters of a century's work, encompasses almost all genres of music; in his vocal works it ranges from songs with basso continuo accompaniment to chamber and church cantatas, and to opera. In his own assessment, church music played a central role in his output; he alone probably composed over 1,600 church cantatas, as well as cantata-style funeral music settings (such as Du aber, Daniel, gehe hin), psalm settings (for example, Deus judicium tuum) and oratorios. Throughout his works Telemann showed himself to be a progressive composer, open to new trends and keen to experiment whilst exploring new directions; not without reason was he called a forerunner of classicism. However, his compositions constitute only a part of his importance to music history: as a music publisher, the author of publications for teaching, the director of middle-class music societies and initiator of public concerts, he made a considerable contribution to creating the preconditions for the support of the musically-educated middle classes in the ensuing era of music. Plus d'information sur la personne
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Éditeur
Silja Reidemeister
| 1987
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Éditeur de réductions pour piano
Sven Hiemke
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Basse continue réalisée
Sven Hiemke
Critiques
... Die hier vorgelegte Neuausgabe berücksichtigt erstmals wichtige, neu aufgefundene Quellen wie das Autograph des ersten Werkteils.
Kirchenmusikalische Mitteilungen der Diözese Rottenburg-Stuttgart, April 2018
...nach der Erstausgabe 1971 sind verschollen geglaubte oder ehemals nicht zugängliche Originalhandschriften wieder aufgetaucht, deren Auswertungen nun in den Neudruck eingeflossen sind.
Martin W. Hagner, Württembergische Blätter für Kirchenmusik, 2/2017
Die vorlegte Ausgabe berücksichtigt neue Quellen und bietet eine verlässliche Grundlage einer an aufführungspraktisch aktuellen Grundsätzen orientierten Wiedergabe.
Andreas Großmann, Kirchenmusik im Bistum Limburg, 1/2017