Telemann: 16 chorals sur des textes bibliques - Partition | Carus-Verlag

Georg Philipp Telemann 16 chorals sur des textes bibliques

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The Biblische Sprüche have generated extraordinarily widespread interest since their publication. These two volumes form a compendium of easy-to-perform and artistically valuable music for sacred services throughout the church year. The moderate demands and the wide range of scoring possibilities and will be especially useful for smaller choirs.
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recueil Carus 39.101/00, ISMN 979-0-007-05498-4 112 Pages, DIN A4, cartonné
disponible
23,50 € / pièce
jeu de parties séparées, matériel d'orchestre complet Carus 39.101/19, ISMN 979-0-007-29661-2 23 x 32 cm, sans couverture
disponible
57,00 € / pièce
  • 1 x recueil (39.101/00)
    par: 23,50 €
    1 x partie isolée, violon 1 (39.101/11)
    par: 8,60 €
    1 x partie isolée, violon 2 (39.101/12)
    par: 8,60 €
    1 x partie isolée, alto (39.101/13)
    par: 8,60 €
    2 x partie isolée, violoncelle (39.101/14)
    par: 8,60 €
Informations complémentaires sur l'œuvre
  • Telemann's extremely rich compositional output, the fruits of three quarters of a century's work, encompasses almost all genres of music; in his vocal works it ranges from songs with basso continuo accompaniment to chamber and church cantatas, and to opera. In his own assessment, church music played a central role in his output; he alone probably composed over 1,600 church cantatas, as well as cantata-style funeral music settings (such as Du aber, Daniel, gehe hin), psalm settings (for example, Deus judicium tuum) and oratorios. Throughout his works Telemann showed himself to be a progressive composer, open to new trends and keen to experiment whilst exploring new directions; not without reason was he called a forerunner of classicism. However, his compositions constitute only a part of his importance to music history: as a music publisher, the author of publications for teaching, the director of middle-class music societies and initiator of public concerts, he made a considerable contribution to creating the preconditions for the support of the musically-educated middle classes in the ensuing era of music. Plus d'information sur la personne

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