Rheinberger: Musica sacra. Box with 10 CDs - CD, Choir Coach, multimedia | Carus-Verlag

Josef Gabriel Rheinberger Musica sacra. Box with 10 CDs

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With an opus of more than 200 compositions, Josef Gabriel Rheinberger made a significant contribution to church music in the second half of the 19th century. Since the beginning of the Rheinberger Complete Edition at Carus, the printed music has been accompanied by a Rheinberger CD series (known as the "Musica sacra" Series). In 1988 "Der Stern von Bethlehem" op. 164 appeared not only as the first volume of the Rheinberger Complete Edition, but at the same time was also released on CD. And just one year later Frieder Bernius and the Kammerchor Stuttgart won a German Record critics music prize for their interpretation of Cantus Missae op. 109, Abendlied op. 69,3 and other motets. The "Musica sacra" Series with many world premiere recordings is now available as a box set of 10 CDs. Renowned soloists and ensembles attest to these outstanding interpretations.
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Ecouter (26)
  • Credo
  • How beautiful is thy dwelling place
  • Chant du soir
  • Kyrie
  • Sanctus
  • Kyrie
  • Der Herr erhöre dich
  • Chant de la Passion
  • Credo
  • Requiem
  • Regina coeli
  • Kyrie
  • Kyrie
  • Universi
  • Sanctus/Benedictus
  • Messe in a: Gloria
  • Laudate Dominum (Lobpreiset Gott, den Herrn)
  • Pater noster (Gott und Vater)
  • Requiem in Es: Introitus
  • Ich bin des Herrn
  • Ave Maria
  • Die Seelen der Gerechten
  • Heil'ge Nacht
  • Chant de Pâques
  • Erscheinung des Engels
  • Anbetung der Weisen
plus
Acheter
disque compact, CD-BOX Carus 83.336/00, EAN 4009350833364 CD box (F)
disponible
59,90 € / pièce
Informations complémentaires sur l'œuvre
  • During the second half of the 19th century Rheinberger, who was born in 1839 in Vaduz (Liechtenstein), was a major figure of European stature. In demand as a teacher of composition and esteemed as a composer, this professor at the Munich Conservatoire and Bavarian Court Kapellmeister made his mark on a whole generation of musicians. The fact that many of his compositions were no longer performed after his death in 1901, despite their high musical qualities, was largely a result of external circumstances. The change of aesthetic orientation which began about the turn of the century led to a radical move away from the conservative-classical ideals to which Rheinberger – like Brahms – had felt himself committed. It was also a fact that Rheinberger never publicized his own works vigorously. The Josef-Rheinberger-Archiv and Carus published a complete edition of works by Josef Gabriel Rheinberger for the first time. The edition, concluded in 2009, has contributed significantly to the fact that the music of this composition teacher and Bavarian Court Kapellmeister from Munich can once again be heard around the world today. Plus d'information sur la personne
  • Alongside its dedication to a core repertoire of composers such as Monteverdi, Schütz, Bach, Mozart, Haydn, Schumann, and Brahms, the Vocalensemble Rastatt & Les Favorites frequently explore new terrain with premiere performances. On the heels of its successes in national and international choir competitions, the ensemble has taken part in numerous internationally acclaimed CD recordings as well as radio, and television productions for SWR, Radio France, Deutschlandradio Kultur, and Deutschlandfunk. The Vocalensemble Rastatt & Les Favorites have performed in the Festspielhaus Baden-Baden, the Musikfest Bremen, the Kölner Philharmonie, the SWR RheinVokal Festival, the Europäisches Musikfest Stuttgart, the Schwetzinger Festspiele, the Deutschlandradio Kultur Wartburgkonzerte, the Internationale Musiktage im Dom zu Speyer, the Philharmonie in Mulhouse, and the Centre de Musique “Les Dominicains” in Guebwiller, France, among other venues. The flexible choir does not shy away from excursions into the world of opera, having performed Donizetti’s Lucia di Lammermoor and Bellini’s Norma with Edita Gruberova, and Mozart’s Don Giovanni and Così fan tutte with Rolando Villazón. Together with Klaus Maria Brandauer and the Chamber Orchestra of Europe, the choir also performed Mendelssohn’s Sommernachtstraum at the Musikfest Bremen. The ensemble is sponsored by the German state of Baden-Württemberg in co-operation with its “Kunst 2020” program, as well as by its home city of Rastatt. Plus d'information sur la personne
  • The KammerChor Saarbrücken, founded in 1990 by its conductor Georg Grün, quickly developed into one of the best choirs in Germany and likewise enjoys an outstanding international reputation. This has been confirmed through countless appear ances in Germany, in many European countries, the USA and Russia, CDs which have received critical acclaim, numerous radio record ings, and last, but not least, by the many prizes which the choir has won at international choral competitions and at the German choral competition in Regensburg in 1998. The choir performs works from all historical eras. In the field of early music it collaborates with professional ensembles and soloists who are dedicated to historical performance practice. Additional themes in its repertoire include the performance of romantic choral music, as well as an increasing number of world premiere performances of works written by composers exclusively for the ensemble. Plus d'information sur la personne
  • The Ensemble Stuttgart (Ensemble '76) was founded by Wolfgang Rösch in 1976 and is made up of solo players, musicians from Stuttgart orchestras and music students. Its repertoire comprises pieces for chamber orchestra, including the Bach Brandenburg Concertos as well as symphonies by Haydn, Mozart and Schubert, and chamber music, including the sextets of Brahms and Tchaikovsky and the Mendelssohn Octet. In addition it plays contemporary pieces, some of which were written for this ensemble. The Ensemble Stuttgart gives concerts in Germany, France, Italy and Belgium, and has been involved in many CD and radio productions. Plus d'information sur la personne
  • Frieder Bernius’s work has earned great worldwide recognition. He is in demand internationally as a conductor and as a teacher. His principal artistic collaborators are the ensembles he founded himself, the Kammerchor Stuttgart, the Barockorchester Stuttgart, the Hofkapelle Stuttgart and the Klassische Philharmonie Stuttgart. As a guest conductor, he has collaborated repeatedly with, for example, the SWR Vokalensemble Stuttgart, the Deutsche Kammerphilharmonie Bremen, the Stuttgarter Kammerorchester and the Streicherakademie Bozen. Great stylistic versatility is Frieder Bernius’s hallmark. Whether he conducts vocal works by Monteverdi, Bach, Händel, Mozart, Beethoven, Fauré and Ligeti, stage music by Mendelssohn or symphonies by Haydn, Burgmüller and Schubert, his work always aims for a sound that is at once unmistakably personal and at the same time oriented towards the original period sound ideal. He devotes himself equally to the rediscovery of 18th century operas and to first performances of contemporary compositions. He is particularly interested in the musical history of southwestern Germany. Carus-Verlag has awarded Frieder Bernius a Golden CD for his complete recording of the sacred music of Felix Mendelssohn Bartholdy. The award was presented to him during the German Choir Festival in Stuttgart 2016. The sale of over 250,000 recordings, which has been acclaimed with a number of awards, has made a not insignificant contribution to what today is the obvious presence of Mendelssohn's complete œuvre in the concert repertoire. Plus d'information sur la personne
  • Georg Grün studied church music, school music, Catholic theology, musicology, and conducting, and he taught music and courses on the Catholic religion for several years at a lycée for the arts. In 2000 he was appointed Professor of choral conducting at the Staatliche Hochschule für Musik und Darstellende Kunst Mannheim. He has also been very success ful as a conductor of the chamber choir at this school (it has won prizes at the choral competitions of Cork and Maribor). Grün is active both at home and abroad as a guest conductor, juror and lecturer. In October 2012 Georg Grün was appointed Professor for Choral Conducting at the Hochschule für Musik Saar. Plus d'information sur la personne
  • Since 1982 Wolfgang Schäfer has been Professor of Choral Conducting at the Conservatory of Music and Performing Arts in Frankfurt am Main. In addition, he directs the annual festival and choral music seminar, the “Staufener Musikwoche.” From 1982 to 1997, as successor to Kurt Thomas and Helmuth Rilling, he was the conductor of the Frankfurter Kantorei. Wolfgang Schäfer has won prizes at various international competitions and he has made numerous radio, television, LP and CD recordings. In 1992 he conducted the festival concert in Namur, Belgium, in honor of the tenth anniversary of the International Federation for Choral Music. As a guest conductor he has recently conducted ensembles in Japan, Poland, Latvia and Portugal. He also conducted the Gächinger Kantorei Stuttgart at the European Music Festival in 2003 and 2004. He has also been a lecturer and served as a juror at international symposiums and choral competitions in such countries as Italy, Hungary, Austria, Estonia, Canada and Korea. Plus d'information sur la personne
  • Holger Speck is founder and artistic director of the Vocalensemble Rastatt & Les Favorites. He has developed a distinguished international reputation as a charismatic musician who is capable of bringing to life the aesthetic details of the sound particular to different periods, while communicating emotive content to the listener. His keen sense of sound assures the unmistakable tonal quality of his ensembles. His compelling, lively, and profound interpretations are regularly praised in specialist publications. He has conducted at famous festivals and concert halls such as the Festspielhaus Baden-Baden, the Philharmonie Mulhouse, the Händelfestspiele Karlsruhe, the Europäische Musikfest Stuttgart, the Schwetzinger Festspiele, the Festival Europäische Kirchenmusik Schwäbisch Gmünd, and the SWR RheinVokal Festival. Holger Speck has won prizes at both national and international competitions with the Vocalensemble Rastatt. His CD recordings have met with international acclaim (Gramophone Magazine, American Record Guide, Fanfare, Fono Forum, L’Orfeo, Pizzicato, Diapason, Classicstoday etc.). He frequently collaborates with artists such as Anne Le Bozec (Piano), Reinhold Friedrich (Trumpet), Wolfgang Meyer (Clarinet), and Veronika Skuplik (Violin). Holger Speck is also in demand as a singer, as a guest conductor, and as a lecturer at seminars for conducting and interpretation. He teaches at the Hochschule für Musik in Karlsruhe. Plus d'information sur la personne
  • Christine Müller, mezzo-soprano, studied in Trossingen and Vienna . She is a sought-after concert and lied singer with a broad repertoire who concertizes both at home and abroad. Numerous radio, television and CD productions document her achievements as a singer. She has earned special merit through her discoveries and publications of forgotten musical works, especially in the field of the lied. Plus d'information sur la personne
  • Annette Markert, originaire de Thuringe, a étudié au Conservatoire de musique « Felix Mendelssohn Bartholdy » de Leipzig pour être ensuite engagée aux opéras de Halle et de Leipzig ; depuis 1996, elle travaille à titre indépendant comme cantatrice d’opéra et de concert. La mezzosoprano a travaillé avec le New York Philharmonic et le Gewandhausorchester de Leipzig sous la direction de Kurt Masur, avec le Philharmonique de Vienne sous la direction de Philippe Herreweghe et l’Internationale Bachakademie Stuttgart sous la direction de Helmuth Rilling. Elle est l’hôte régulière du Kreuzchor de Dresde et du Thomanerchor de Leipzig. Pour ses rôles dans des opéras de Haendel, elle a reçu le prix Haendel de la ville de Halle. Des productions variées pour le CD, e. a. avec Ton Koopman et Ludwig Güttler, viennent compléter son activité artistique. Plus d'information sur la personne
  • Rainer Oster (b. 1966) studied organ at the conservatories in Saarbrücken (with Paul Schneider and Andreas Rothkopf) and Stuttgart (in the soloist class of Jon Laukvik.) In 1992 he was awarded first prize in the Internationaler Johann-Pachelbel-Wettbewerb of the Orgelwoche Nürnberg and in 1993 he was honored with the Bachpreis awarded by the city of Wiesbaden. He is internationally active as a music pedagogue, lecturer and freelance concert organist, as well as performing on the harpsichord and fortepiano. Numerous radio (studio) and live recordings, concerts with various affiliates of the ARD (German public radio) and Radio France as well as CD recordings document his extensive musical activities. Since 2000 Rainer Oster has worked freelance in various capacities for the music department of the Saarländischer Rundfunk, including as a journalist and sound editor. In 1999 and 2007 he substituted for Jon Laukvik at the Hochschule für Musik und Darstellende Kunst in Stuttgart. He is currently working on a fundamental organ method. He has recorded, together with the Ensemble Parlando which he founded in 2002, the organ concertos, and sonatas of Carl Philipp Emanuel Bach as well as a series of harpsichord concertos by Johann Sebastian Bach. Plus d'information sur la personne

Critiques

There is a cornucopia of material within these discs to refresh the repertoire of any choir looking for something out of the ordinary. Carus and the many performers of these discs are to be warmly congratulated for the care they have brought to the project.


Choir and Organ, November/December 2015

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