Weber: Missa sancta No. 2 - Sheet music | Carus-Verlag

Carl Maria von Weber Missa sancta No. 2

Jubel-Messe WeV A.5, Offertorium (Op. 76), 1818/19

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As Kapellmeister at Dresden’s royal theater, Carl Maria von Weber’s primary task was to establish a German opera. However, it was also part of his duties to supply music for church service every three weeks. This assignment was gladly accepted by the opera composer Weber, who regarded his artistic talents as a “gift from heaven”. His Missa sancta No. 2 (also known as the “Jubel-Messe”) was composed for the service held to celebrate the golden wedding anniversary of the Saxon royal couple Friedrich August I (1750-1827) and Marie Amalie Auguste (1752-1828) in January 1819. The festive nature of the Mass is confirmed by the offertory “In die solemnitatis”, whose inclusion follows court practice in Dresden at the time.

Due to its relative brevity, the “Jubel-Messe” is also well suited for inclusion in a liturgical framework today. The vocal parts in this Mass can easily be mastered by amateur choirs for festive occasions in church or in concert. The critical Urtext edition also reflects the practical needs of performers: Modern orchestral parts are now available for purchase for the first time and a vocal score is also available.

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full score, Foreword in German and English Carus 27.902/00, ISMN 979-0-007-29615-5 120 pages, paperback Provisionally available from 10/2024
vocal score Carus 27.902/03, ISMN 979-0-007-29617-9 52 pages Provisionally available from 10/2024
choral score Carus 27.902/05, ISMN 979-0-007-29618-6 20 pages, DIN A4 Provisionally available from 10/2024 Minimum order quantity: 20 copies
set of parts, complete orchestral parts Carus 27.902/19 23 x 32 cm, without cover Provisionally available from 10/2024
full score digital (download), pdf file Carus 27.902/00-010-000, ISMN 979-0-007-29616-2 Provisionally available from 10/2024
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Frequent questions about this work

Is a second tenor soloist needed because of the two tenor solos in the Kyrie bars 42-47?

No, the second tenor solo can also be taken from the choir or by the bass soloist if necessary.
If only two french horns are available, the parts of horn III and IV can also be taken over by the trumpets without any significant compromises. The new edition offers a suggestion for this in the two trumpet parts (Carus 27.902/35 and /36).
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