...wo die Zitronen blühn (figure humaine kammerchor)

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The figure humaine kammerchor under the direction of Denis Rouger devotes its new CD ... wo die Zitronen blühn once again to the wonderful German and French songs of the Romantic period. In these sensitive arrangements for choir and piano, the singers take the listeners down the most diverse paths of love in the poetry of both these countries. The well-known art songs, originally composed for solo voice and piano, are experienced in a completely new way when chorally interpreted. True gems of these two great European musical cultures have been selected for this recording, with songs by Georges Bizet, Henri Duparc, Fanny Hensel, Camille Saint-Saëns and Clara Schumann, among others. In addition, original choral works by Johannes Brahms, Hugo Wolf and Gabriel Fauré can be heard. The outstanding chamber choir is accompanied by the pianists Julia Kammerlander and Katharina Schlenker. The additional horns heard in some of the compositions complete the Romantic sound world.
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  • L'invitation au voyage
  • Soirée en mer
  • Adieux de l'hôtesse arabe
  • Rêve d'amour
  • Tristesse
  • Chanson du pêcheur
  • Soupir
  • Im dunkeln Schoß
  • Liebeszauber
  • Ich hab in deinem Auge
  • O Lust!
  • Bergeslust
  • Im Herbste
  • Nach Süden
  • Verschwiegene Liebe
  • Der Feuerreiter
  • Extase
  • Chant de ceux qui s'en vont sur mer
  • Au pays où se fait la guerre
  • Les Djinns
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Practise
    • Chant de ceux qui s'en vont sur mer
    • Soirée en mer
    • Tristesse
    • Notre amour
    • Rêve d'amour
Additional material
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  • Chant de ceux qui s'en vont sur mer Adieu, patrie ! L’onde est en furie.
    Adieu, patrie, Azur !
    Adieu, maison, treille au fruit mûr,
    Adieu, les fleurs d’or du vieux mur !
    Adieu, patrie ! Ciel, forêt, prairie !
    Adieu, patrie, Azur !
    Adieu, patrie ! L’onde est en furie.
    Adieu, patrie, Azur !
    Adieu, fiancée au front pur,
    Le ciel est noir, le vent est dur.
    Adieu, patrie ! Lise, Anna, Marie !
    Adieu, patrie, Azur !
    Adieu, patrie ! L’onde est en furie.
    Adieu, patrie, Azur !
    Notre œil, que voile un deuil futur,
    Va du flot sombre au sort obscur !
    Adieu, patrie ! Pour toi mon cœur prie.
    Adieu, patrie ! Azur !
    Victor Hugo (1802–1885)

    ...

  • Soirée en mer

    Près du pêcheur qui ruisselle,
    Quand tous deux, au jour baissant,
    Nous errons dans la nacelle,
    Laissant chanter l’homme frêle
    Et gémir le flot puissant ;

    Sous l’abri que font les voiles
    Lorsque nous nous asseyons,
    Dans cette ombre où tu te voiles
    Quand ton regard aux étoiles
    Semble cueillir des rayons ;

    Quand tous deux nous croyons lire
    Ce que la nature écrit,
    Réponds, ô toi que j’admire !
    D’où vient que mon coeur soupire ?
    D’où vient que ton front sourit ?

    Dis, d’où vient qu’à chaque lame,
    Comme une coupe de fiel,
    La pensée emplit mon âme ?
    C’est que moi je vois la rame

    ...

  • Gesang derer, die aufs Meer hinausziehen Adieu, Vaterland! Die Wellen toben.
    Adieu, Vaterland, Azur!
    Adieu, Haus, Weinlaube voller reifer Früchte,
    Adieu, güldene Blumen auf der alten Mauer!
    Adieu, Vaterland! Himmel, Wald, Wiese!
    Adieu, Vaterland, Azur!
    Adieu, Vaterland! Die Wellen toben.
    Adieu, Vaterland, Azur!
    Adieu, Verlobte mit der reinen Stirn,
    der Himmel ist schwarz, der Wind ist ungestüm.
    Adieu, Vaterland! Lise, Anna, Marie!
    Adieu, Vaterland, Azur!
    Adieu, Vaterland! Die Wellen toben.
    Adieu, Vaterland, Azur!
    Unser Auge, das eine zukünftige Trauer trübt, wandert
    von der dunklen Flut zum finsteren Schicksal!
    Adieu, Vaterland! Für dich betet mein Herz.
    Adieu, Vaterland, Azur!

    ...

  • Abend auf dem Meer

    Nahe dem durchnässten Fischer,
    wenn wir beide, während der Tag sich neigt,
    im Kahn dahingleiten,
    und den schwachen Mann singen
    die mächtige Woge rumoren hören;

    unter dem Schutz der Segel,
    wenn wir uns in jenen Schatten setzen,
    in den du dich hüllst,
    wenn dein Blick von den Sternen
    die Strahlen zu pflücken scheint;

    wenn wir alle beide zu lesen glauben,
    was die Natur schreibt,
    antworte, oh du, die ich bewundere!
    Wie kommt es, dass mein Herz seufzt?
    Wie kommt es, dass deine Stirn lächelt?

    Sage, wie kommt es, dass bei jeder Welle
    gleich einem Kelch voller Bitterkeit
    Gedanken meine Seele füllen?
    Es rührt daher, dass ich das Ruder sehe,

    ...

  • Unbenanntes Dokument Tristesse

    Avril est de retour,
    La première des roses,
    De ses lèvres micloses,
    Rit au premier beau jour,
    La terre bienheureuse
    S’ouvre et s’épanouit ;
    Tout aime, tout jouit.
    Hélas ! j’ai dans le cœur une tristesse affreuse.

    Les buveurs en gaîté,
    Dans leurs chansons vermeilles,
    Célèbrent sous les treilles
    Le vin et la beauté ;

    ...

  • Unbenanntes Dokument

    Unsere Liebe ist etwas Leichtes,
    wie die Düfte, die der Wind
    von den Spitzen des Farns nimmt,
    damit man sie im Traum riecht;
    – unsere Liebe ist etwas Leichtes!

    Unsere Liebe ist etwas Bezauberndes,
    wie die Lieder des Morgens,
    in denen keinerlei Reue klagt,
    in denen eine unbestimmte Hoffnung schwingt;
    – unsere Liebe ist etwas Bezauberndes!

    Unsere Liebe ist etwas Heiliges,
    wie die Geheimnisse des Waldes,
    in dem eine unbeachtete Seele erschauert,

    ...

  • Unbenanntes Dokument

    Notre amour est chose légère,
    Comme les parfums que le vent
    Prend aux cimes de la fougère,
    Pour qu'on les respire en rêvant ;
    – Notre amour est chose légère !

    Notre amour est chose charmante,
    Comme les chansons du matin,
    Où nul regret ne se lamente,
    Où vibre un espoir incertain ;
    – Notre amour est chose charmante !

    Notre amour est chose sacrée,
    Comme les mystères des bois,
    Où tressaille une âme ignorée,

    ...

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Compact Disc Carus 83.514/00, EAN 4009350835146
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19,90 € / copy
Digital audio album (download), zip file, mp3 file Carus 83.514/00-110-000
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8,99 € / copy
  • figure humaine – the human face – is the inner guiding principle and name of the chamber choir of young musicians from Stuttgart which was founded in 2016. They are all united by the desire to perform choral music of a high chamber music standard. The musical focus of their work is on French and German music of the 19th to 21st centuries. A specialty of the choir and its leader and founder Denis Rouger are arrangements of French art songs, which in this way may make their way into the ears and hearts of European audiences. In addition to a reverence to the work of the poet Paul ­Èluard and the composer Francis Poulencs, the name of the choir also encompasses the power of each individual for the sound of the choir and for musical as well as humanistic interpretation. In addition to its Stuttgart season, the choir has been invited to several cities and festivals: the Festival for European Church Music Schwäbisch Gmünd, the festivals in Konstanz and Lorch as well as the Ludwigsburger Schlossfestspiele. In France, figure humaine has performed, among others, at the festival Les rencontres musicales in Vézelay in Bourgogne. The ensemble also collaborates with the Stuttgart Philharmonic Orchestra and with Carus-Verlag in the creation of choral anthologies with accompanying CDs. figure humaine is supported by the city of Stuttgart and the state of Baden-Württemberg. Personal details
  • Denis Rouger grew up as the son of a family of musicians in Paris, where he learned trumpet, horn, piano and singing. He studied composition at the CNSM (Conservatoire National Supérieur de Musique), obtaining first prizes in harmony, fugue and counterpoint. He studied choral conducting in France and Holland at the Kurt Thomas Academy and received the Certificat d’Aptitude for vocal ensembles from the Ministry of Culture.

    As “Professeur agrégé” at the University of Paris-Sorbonne he conducted the “Choeur de Paris-Sorbonne” and taught choral conducting for twenty years. From 1993 to 2003, he was choirmaster at Notre-Dame de Paris Cathedral and from 2005 to 2006 at the Madeleine Church, where he received the title of “Honorary Music Director.”

    He has conducted numerous professional and amateur ensembles, among others in Germany – where he was invited as a guest conductor by the Landesjugendchor Baden-Württemberg and the Balthasar Neumann Chor, as well as by radio choirs in Hamburg (NDR) and Stuttgart (SWR) –, Italy, Holland, Canada, the United Arab Emirates and Switzerland (Lucerne Festival). He has also collaborated in several world premieres of contemporary works by Klaus Huber, N’guyen Thien Dao, Philippe Mazé and Yves Castagnet, among others. Denis Rouger gives master classes in choral conducting in Sweden, Bulgaria, France, Germany and Switzerland.

    In April 2011, Denis Rouger was appointed Professor of Choral Conducting at the Staatliche Hochschule für Musik und Darstellende Kunst Stuttgart. The Chamber Choir of the Musikhochschule, which he founded in autumn 2011, won first prize at the International Choir Competition in Mosbach (Germany) in 2014. In collaboration with Carus the choral book French Choral Music has been published as well as the debut CD of the figure humaine kammerchor, founded in 2016 by Denis Rouger.
    Personal details
  • Hannah Gries was born in Limburg in 1996. She began her vocal training at a young age, first with the mezzo-soprano Alison Browner and later with the soprano Sabine Götz in Mannheim. In addition to numerous choral activities she has become a much sought-after concert singer. Her repertoire includes various masses and cantatas by Schubert, Mozart, Bach, Haydn or Tele­mann, including for example the solo cantata Jauchzet Gott in allen Landen by J. S. Bach. In addition, works such as Handel’s Messiah (also in the version by Mozart), as well as Haydn’s Creation, are now part of her repertoire. In June 2017, she made her debut as First Boy in the new production of the Magic Flute at the University of Stuttgart under the direction of UMD Veronika Stoertzenbach. In 2018, she was heard together with the pianist Andreas Frese in Mirjam’s Sieges­gesang by Franz Schubert in the Weilburger Schlosskonzerte. The young soprano is also active abroad, both in choirs and as a soloist, for example in Austria, England, Israel and Korea. In 2014, Hannah Gries won the scholarship of the Kreissparkasse Limburg for young talented musicians. Since October 2015, she has been studying for a BA in singing at the Staatliche Hochschule für Musik und Darstellende Kunst Stuttgart with Ulrike Sonntag. Personal details
  • figure humaine – the human face – is the inner guiding principle and name of the chamber choir of young musicians from Stuttgart which was founded in 2016. They are all united by the desire to perform choral music of a high chamber music standard. The musical focus of their work is on French and German music of the 19th to 21st centuries. A specialty of the choir and its leader and founder Denis Rouger are arrangements of French art songs, which in this way may make their way into the ears and hearts of European audiences. In addition to a reverence to the work of the poet Paul ­Èluard and the composer Francis Poulencs, the name of the choir also encompasses the power of each individual for the sound of the choir and for musical as well as humanistic interpretation. In addition to its Stuttgart season, the choir has been invited to several cities and festivals: the Festival for European Church Music Schwäbisch Gmünd, the festivals in Konstanz and Lorch as well as the Ludwigsburger Schlossfestspiele. In France, figure humaine has performed, among others, at the festival Les rencontres musicales in Vézelay in Bourgogne. The ensemble also collaborates with the Stuttgart Philharmonic Orchestra and with Carus-Verlag in the creation of choral anthologies with accompanying CDs. figure humaine is supported by the city of Stuttgart and the state of Baden-Württemberg. Personal details
  • Julia Kammerlander, born in Stuttgart, began her piano studies with Klaus Hellwig in Berlin and later continued her studies with Péter Nagy in Stuttgart, where she completed her master’s degree with top marks in 2017. After winning a scholarship at the Deutscher Musikwettbewerb in the category piano, Julia Kammerlander became a participant in the national selection of Concerts by Young Artists in the 2012/13 season; this was followed by active concert activity throughout Germany. Among the orchestras with which she has performed as a soloist are the Landesjugendorchester Baden-Württemberg and Berlin, the Südwestdeutsche Kammerorchester Pforzheim, the Stuttgarter Kammerorchester and the Stuttgarter Philharmoniker. Julia Kammerlander is a passionate and sought-after chamber musician. As a member of various duos and ensembles, she has most recently appeared at the Sommets Musicaux de Gstaad and Jeunes Talents Paris festivals, the Leipzig Bach Festival, the Gezeitenkonzerte der Ostfriesischen Landschaft, the Mecklenburg-Vorpommern Festival and the Ludwigsburg Schlossfestspiele. Recordings of her concerts have been broadcast by Deutschlandfunk, NDR, SWR and HR. Since 2016, she has been the pianist for the chamber choir figure humaine. Personal details

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writes
Roses of Isfahan and jasmine of Mosul

Entitled "Scents of the Faraway", this is a varied programme of choral pieces from the early, high and late Romantic periods. The solo and choral songs of the French composer Gabriel Fauré, who is otherwise only widely known for his Requiem, come into their own on several occasions. Thanks to the convincing five-part Fauré arrangements by Denis Rouger, the Paris-born choirmaster succeeds in winning over listeners to the artistic mélodie treasure of his home country. As a Frenchman, Denis Rouger not only brings the culture of his country to Germany, but also an outstanding reputation as a conductor, as the Fauré mélodies open up one tableau after another with exquisite poem settings, which his chamber choir performs as if they were soloists and which he directs with dedication. High quality, "worth savouring"... In every aspect of the performance, the programme is brilliant at a high level, expressive and rich in meaning, almost always accompanied by the excellent musicianship of Katharina Schlenker on the piano.

Under the consistently confident direction of the former chef de chœur of Notre-Dame de Paris Cathedral, this is a convincing programme at the highest level.

(adapted from a review of the live programme on this CD)
*This review was submitted in another language and has been translated for you.

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