Giuseppe Verdi Stabat Mater

1896/97

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The Stabat Mater is the last work composed by Giuseppe Verdi. He completed it in 1897 at the age of 84. One year later it was published with the somewhat earlier Te Deum as part of the Quattro pezzi sacri. Verdi set Mary’s meditation in the face of her crucified son, a classic of Medieval Latin poetry, in an operatically expressive style for choir and large orchestra. Verdi’s Stabat Mater is now published for the first time in a critical edition. Also available in the series "Choir & organ" (Carus 27.294/45).

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full score Carus 27.294/00, ISMN 979-0-007-13707-6 60 pages, paperback
available
36,00 € / copy
vocal score Carus 27.294/03, ISMN 979-0-007-13708-3 20 pages, paperback
available
10,30 € / copy
choral score Carus 27.294/05, ISMN 979-0-007-16164-4 8 pages, DIN A4, without cover Minimum order quantity: 20 copies
available
from 20 copies 4,80 € / copy
from 40 copies 4,32 € / copy
from 60 copies 3,84 € / copy
set of parts, complete orchestral parts Carus 27.294/19, ISMN 979-0-007-13713-7 23 x 32 cm, without cover
available
195,00 € / copy
  • 1 x set of parts, harmony parts, flute 1, flute 2, flute 3, oboe 1, oboe 2, clarinet 1, clarinet 2, bassoon 1, bassoon 2, bassoon 3, bassoon 4, horn 1, horn 2, horn 3, horn 4, 3 trumpets, 4 trombones, timpani, harp (27.294/09)
    each: 78,00 €
    9 x individual part, violin 1 (27.294/11)
    each: 4,40 €
    8 x individual part, violin 2 (27.294/12)
    each: 4,40 €
    7 x individual part, viola (27.294/13)
    each: 4,40 €
    6 x individual part, violoncello (27.294/14)
    each: 4,40 €
    5 x individual part, double bass (27.294/15)
    each: 4,40 €
Additional product information
  • Giuseppe Verdi was born in Le Roncole on the 9th October 1813, the son of an innkeeper and small-scale farmer. Although he grew up in poor circumstances his extraordinary musical talent was soon recognized and he received organ lessons, then – assisted by a patron – he entered the Busseto Gymnasium. His benefactor Antoni Barezzi continued to assist him privately after the Milan Conservatoire had refused him admission. Following some years as organist and director of music in Busseto he made his breakthrough in Milan with the premiere of the opera "Nabucco" in 1842. The works which he wrote after 1850 are still among the principal pillars of the opera repertoire. Personal details

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