Intende voci
Offertorium. Tenor-Arie mit Chor D 963, 1828
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text (without music) for download, html file, Introductory text, Germanhtml file, Introductory text, German (Sample)Gekürztes Vorwort der Ausgabe Carus 70.046Werner Bodendorff
Das Intende voci D 963 ist Schuberts bedeutendstes kleineres Kirchenwerk. Er komponierte es in seinem Todesjahr, das gekennzeichnet ist von einem nur mit den Jugendjahren vergleichbaren Schaffensdrang: Es entstanden Werke wie das Streichquintett in C D 956, die drei letzten Klaviersonaten D 958, 959 und 960, die Messe in Es D 950 oder der Schwanengesang D 965.
Das Intende voci war sehr wahrscheinlich ein Auftragswerk des im Aufbau befindlichen Vereins zur Pflege der Kirchenmusik der Kirchengemeinde Alsergrund, in der Michael Leitermayer Chorregent war. Vermittler zu diesem Auftrag scheint Schuberts Bruder Ferdinand gewesen zu sein, der u.a. als Lehrer im Waisenhaus in der Alservorstadt beschäftigt war.
Von dem Intende voci existieren zwei Niederschriften, wovon die zweite, die Reinschrift, mit Oktober 1828 datiert ist. Die erste ist unvollständig, sie ist überschrieben mit „Aria con Coro“ und weicht von der zweiten Fassung bezüglich der Besetzung und
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Composer
Franz Schubert
| 1797-1828Throughout most of his life Franz Schubert was concerned with church music. When he was eleven he was chosen as treble soloist at his local church in the Vienna suburb of Lichtenthal and soon afterwards he was admitted to the choir of the Imperial Court Chapel, directed by Antonio Salieri. Soon he also began to compose; his earliest surviving sacred pieces date from 1812. During his lifetime his church music achieved a comparatively wide degree of acceptance but after his death, most notably, his smaller works were unjustly forgotten. The Carus programme encompasses Schubert’s complete sacred compositions and it is intended to emphasize the wide range of his works in this area. Many of the smaller liturgical compositions are published here for the first time in separate editions. What is to be discovered is a fascinating œuvre, rooted in the ‘stile antico’ of Antonio Salieri and in the compositions of the Viennese classical masters, but whose exquisite lyricism and harmonic subtlety reveal a typically Schubertian world of expression: works with great power of conviction and exceptional musical beauty. Personal details
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Editor
Werner Bodendorff
| 1958
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