Das "Requiem in Es" verkörpert beispielhaft den Typus Rheinbergerscher Gebrauchsmusik, die handwerklich meisterhaft und mit bescheidenen Mitteln ein Höchstmaß an Wirkung erzielt, ohne dabei im Schwierigkeitsgrad zu hohe Ansprüche zu stellen.
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- Requiem in Es: Introitus
- Introitus
- Kyrie
- Tractus
- Offertorium
- Sanctus
- Benedictus
- Agnus Dei
- Communio
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text (without music) for download, html file, Singing text, originalhtml file, Singing text, original (Sample)Introitus Requiem aeternam dona eis Domine:
et lux perpetua luceat eis.
Te decet hymnus Deus in Sion,
et tibi reddetur votum in Jerusalem:
exaudi orationem meam,
ad te omnis caro veniet.
Requiem aeternam dona eis, Domine:
et lux perpetua luceat eis.Kyrie Kyrie eleison.
Christe, eleison.
Kyrie eleison....
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text (without music) for download, html file, Singing text, english translationhtml file, Singing text, english translation (Sample)
Introitus Lord, grant them eternal rest,
and let the perpetual light shine upon them.
Thou shalt have praise in Zion, oh God,
and homage shall be paid to Thee in Jerusalem.
Hear my prayer.
All flesh shall come before Thee.
Lord, grant them eternal rest,
and let the perpetual light shine upon them.Kyrie Lord, have mercy upon us.
Christ, have mercy upon us.
Lord, have mercy upon us.Tractus Deliver, Lord,
the souls of all the Faithful who have died
from the shackles of their sin,
and through thy grace, which comes to their aid,
may they deserve to escape from the court of retribution.
...
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text (without music) for download, html file, Singing text, German translationhtml file, Singing text, German translation (Sample)
Introitus Gib ihnen die ewige Ruhe, Herr,
und das ewige Licht leuchte ihnen.
Dir gebührt ein Lobgesang, Gott, in Zion,
und dir erfülle man sein Gelübde in Jerusalem.
Erhöre mein Gebet.
Zu dir komme alles Fleisch.
Gib ihnen die ewige Ruhe, Herr,
und das ewige Licht leuchte ihnen.Kyrie Herr, erbarme dich.
Christus, erbarme dich.
Herr, erbarme dich.Tractus Erlöse, Herr,
die Seelen aller verstorbenen Gläubigen
von allen Fesseln der Sünde,
und sie mögen durch deine Gnade, die ihnen zu Hilfe kommt,
verdienen, herauszukommen aus dem Gericht der Rache
und die Seligkeit des ewigen Lichtes genießen....
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text (without music) for download, html file, Introductory text, Englishhtml file, Introductory text, English (Sample)Text from the CD Carus 83.414
Thomas Bopp
Translation (abridged): Peter PalmerJosef Gabriel Rheinberger was born in Vaduz, Liechtenstein in 1839. At the age of only 12 he embarked on a comprehensive training at the Munich Conservatory. After passing his final examination with excellent marks, he obtained his first professional engagements as an assistant organist at various Munich churches and as a répétiteur for the local Oratorio Society, while also taking further lessons privately with Franz Lachner. As a composer he tried his hand at works in different genres and for different groups of instruments; the evening hymn Abendlied “Bleib bei uns, denn es will Abend werden” for six-part choir, later to be published and become famous as one of the Geistliche Gesänge op. 69, was composed in 1855. Rheinberger was appointed to teach piano at the Munich Conservatory in 1859. The following year his duties were extended to cover theory of harmony and counterpoint.
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text (without music) for download, html file, Introductory text, Frenchhtml file, Introductory text, French (Sample)Texte du CD Carus 83.414
Thomas Bopp
Traduction (abrégée) : Josiane KleinJosef Gabriel Rheinberger est né en 1839 à Vaduz (Liechtenstein). Dès l’âge de 12 ans, il commença une formation complète au Conservatoire de Munich. Après un examen de fin d’études brillamment réussi, il suivit encore une formation privée complémentaire chez Franz Lachner parallèlement à sa première activité professionnelle comme organiste suppléant de différentes églises munichoises et comme répétiteur pour l’Oratorienverein local. Sur le plan de la composition, il s’essaya à des œuvres de genres et d’instrumentations différentes, la chanson du soir pour chœur à six voix Abendlied « Bleib bei uns, denn es will Abend werden » (Reste avec nous, car le soir tombe), publiée ultérieurement dans les Geistliche Gesänge op. 69 et devenue célèbre, fut écrite dès 1855. Professeur de piano au Conservatoire de Munich depuis 1859, son domaine d’activité fut étendu un an plus tard à l’enseignement de
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text (without music) for download, html file, Introductory text, Germanhtml file, Introductory text, German (Sample)Booklet-Text der CD Carus 83.414
Thomas Bopp
Josef Gabriel Rheinberger wurde 1839 im liechtensteinischen Vaduz geboren. Seine erste musikalische Unterweisung galt neben dem Orgelspiel der Harmonielehre und dem Studium der Werke von Bach, Mozart und Beethoven. Mit 12 Jahren begann Rheinberger eine umfassende Ausbildung am Konservatorium in München. Nach bestens bestandener Abschlussprüfung begleitete ein privates Aufbaustudium bei Franz Lachner die erste berufliche Tätigkeit als Aushilfsorganist an verschiedenen Münchner Kirchen und als Korrepetitor beim örtlichen Oratorienverein. Kompositorisch erprobte er sich an Werken unterschiedlicher Gattungen und Besetzungen; schon 1855 entstand das später unter den Geistlichen Gesängen op. 69 veröffentlichte und berühmt gewordene Abendlied „Bleib bei uns, denn es will Abend werden“ für sechsstimmigen Chor. 1859 erhielt Rheinberger eine feste Anstellung
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Contents
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Composer
Josef Gabriel Rheinberger
| 1839-1901During the second half of the 19th century Rheinberger, who was born in 1839 in Vaduz (Liechtenstein), was a major figure of European stature. In demand as a teacher of composition and esteemed as a composer, this professor at the Munich Conservatoire and Bavarian Court Kapellmeister made his mark on a whole generation of musicians. The fact that many of his compositions were no longer performed after his death in 1901, despite their high musical qualities, was largely a result of external circumstances. The change of aesthetic orientation which began about the turn of the century led to a radical move away from the conservative-classical ideals to which Rheinberger – like Brahms – had felt himself committed. It was also a fact that Rheinberger never publicized his own works vigorously. The Josef-Rheinberger-Archiv and Carus published a complete edition of works by Josef Gabriel Rheinberger for the first time. The edition, concluded in 2009, has contributed significantly to the fact that the music of this composition teacher and Bavarian Court Kapellmeister from Munich can once again be heard around the world today. Personal details
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Editor
Harald Wanger
| 1933-2011
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