The composition of the Requiem is surrounded by anecdotes and legends. Mozart’s student Franz Xaver Süßmayr completed the unfinished work after Mozart’s death. But in musical terms, the work offers far more than mere anecdotes: Mozart’s choral writing, at the height of his art, presents singers with harmonically challenging passages and thrilling fugues. If you master this, there’s great enjoyment to be had from singing the work, despite its subject matter ...
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Performers: Vasiljka Jezovsek (soprano), Claudia Schubert (alto), Marcus Ullmann (tenore), Michael Volle (basso) – Kammerchor Stuttgart, Barockorchester Stuttgart – Frieder Bernius
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Listen
(13)
- Introitus
- Kyrie
- Dies irae
- Rex tremendae
- Confutatis
- Lacrimosa
- Domine Jesu Christe
- Hostias et preces
- Sanctus
- Benedictus
- Agnus Dei
- Lux aeterna
- Cum Sanctis tuis
Practise
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Practice aids voice part soprano
- Introitus (Choir Coach)
- Introitus (Choir Coach, Slow mode)
- Kyrie (Choir Coach)
- Kyrie (Choir Coach, Slow mode)
- Dies irae (Choir Coach)
- Dies irae (Choir Coach, Slow mode)
- Rex tremendae (Choir Coach)
- Rex tremendae (Choir Coach, Slow mode)
- Confutatis (Choir Coach)
- Confutatis (Choir Coach, Slow mode)
- Lacrimosa (Choir Coach)
- Lacrimosa (Choir Coach, Slow mode)
- Domine Jesu Christe (Choir Coach)
- Domine Jesu Christe (Choir Coach, Slow mode)
- Hostias et preces (Choir Coach)
- Hostias et preces (Choir Coach, Slow mode)
- Sanctus (Choir Coach)
- Sanctus (Choir Coach, Slow mode)
- Benedictus (Choir Coach)
- Benedictus (Choir Coach, Slow mode)
- Agnus Dei (Choir Coach)
- Agnus Dei (Choir Coach, Slow mode)
- Lux aeterna (Choir Coach)
- Lux aeterna (Choir Coach, Slow mode)
- Cum Sanctis tuis (Choir Coach)
- Cum Sanctis tuis (Choir Coach, Slow mode)
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Practice aids voice part alto
- Introitus (Choir Coach)
- Introitus (Choir Coach, Slow mode)
- Kyrie (Choir Coach)
- Kyrie (Choir Coach, Slow mode)
- Dies irae (Choir Coach)
- Dies irae (Choir Coach, Slow mode)
- Rex tremendae (Choir Coach)
- Rex tremendae (Choir Coach, Slow mode)
- Confutatis (Choir Coach)
- Confutatis (Choir Coach, Slow mode)
- Lacrimosa (Choir Coach)
- Lacrimosa (Choir Coach, Slow mode)
- Domine Jesu Christe (Choir Coach)
- Domine Jesu Christe (Choir Coach, Slow mode)
- Hostias et preces (Choir Coach)
- Hostias et preces (Choir Coach, Slow mode)
- Sanctus (Choir Coach)
- Sanctus (Choir Coach, Slow mode)
- Benedictus (Choir Coach)
- Benedictus (Choir Coach, Slow mode)
- Agnus Dei (Choir Coach)
- Agnus Dei (Choir Coach, Slow mode)
- Lux aeterna (Choir Coach)
- Lux aeterna (Choir Coach, Slow mode)
- Cum Sanctis tuis (Choir Coach)
- Cum Sanctis tuis (Choir Coach, Slow mode)
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Practice aids voice part tenore
- Introitus (Choir Coach)
- Introitus (Choir Coach, Slow mode)
- Kyrie (Choir Coach)
- Kyrie (Choir Coach, Slow mode)
- Dies irae (Choir Coach)
- Dies irae (Choir Coach, Slow mode)
- Rex tremendae (Choir Coach)
- Rex tremendae (Choir Coach, Slow mode)
- Confutatis (Choir Coach)
- Confutatis (Choir Coach, Slow mode)
- Lacrimosa (Choir Coach)
- Lacrimosa (Choir Coach, Slow mode)
- Domine Jesu Christe (Choir Coach)
- Domine Jesu Christe (Choir Coach, Slow mode)
- Hostias et preces (Choir Coach)
- Hostias et preces (Choir Coach, Slow mode)
- Sanctus (Choir Coach)
- Sanctus (Choir Coach, Slow mode)
- Benedictus (Choir Coach)
- Benedictus (Choir Coach, Slow mode)
- Agnus Dei (Choir Coach)
- Agnus Dei (Choir Coach, Slow mode)
- Lux aeterna (Choir Coach)
- Lux aeterna (Choir Coach, Slow mode)
- Cum Sanctis tuis (Choir Coach)
- Cum Sanctis tuis (Choir Coach, Slow mode)
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Practice aids voice part basso
- Introitus (Choir Coach)
- Introitus (Choir Coach, Slow mode)
- Kyrie (Choir Coach)
- Kyrie (Choir Coach, Slow mode)
- Dies irae (Choir Coach)
- Dies irae (Choir Coach, Slow mode)
- Rex tremendae (Choir Coach)
- Rex tremendae (Choir Coach, Slow mode)
- Confutatis (Choir Coach)
- Confutatis (Choir Coach, Slow mode)
- Lacrimosa (Choir Coach)
- Lacrimosa (Choir Coach, Slow mode)
- Domine Jesu Christe (Choir Coach)
- Domine Jesu Christe (Choir Coach, Slow mode)
- Hostias et preces (Choir Coach)
- Hostias et preces (Choir Coach, Slow mode)
- Sanctus (Choir Coach)
- Sanctus (Choir Coach, Slow mode)
- Benedictus (Choir Coach)
- Benedictus (Choir Coach, Slow mode)
- Agnus Dei (Choir Coach)
- Agnus Dei (Choir Coach, Slow mode)
- Lux aeterna (Choir Coach)
- Lux aeterna (Choir Coach, Slow mode)
- Cum Sanctis tuis (Choir Coach)
- Cum Sanctis tuis (Choir Coach, Slow mode)
Additional material
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text (without music) for download, html file, Singing text, originalhtml file, Singing text, original (Sample)Introitus 1 Requiem aeternam (Coro)Requiem aeternam dona eis, domine!
2 Kyrie (Coro)
Et lux perpetua luceat eis.
Te decet hymnus Deus in Sion,
et tibi reddetur votum in Jerusalem:
Exaudi orationem meam,
ad te omnis caro veniet
Dona eis requiem aeternam
et lux perpetua luceat eis.Kyrie eleison,
Sequenz 3 Dies irae (Coro)
Christe eleison.
Kyrie eleison,Dies irae dies illa,
solvet saeclum in favilla:
teste David cum Sibylla.
Quantus tremor est futurus,...
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Additional product information
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Composer
Wolfgang Amadeus Mozart
| 1756-1791As the son of the deputy Kapellmeister to the Salzburg Prince-Archbishop, Mozart was constantly surrounded by church music in his youth. On his travels Mozart became familiar with Italian church music, and later in Vienna he studied the works of Bach and Handel. After moving to Vienna he was faced with the new challenges of composing opera and piano concertos, and significantly the “C Minor Mass” KV 427, the greatest sacred work of the first Vienna years, remained unfinished. The last period of his life again shows a change of direction to church music: Mozart successfully applied to succeed the terminally ill Leopold Hoffmann as Kapellmeister at St Stephen's Cathedral, but he was unable to take up the position as he died before Hoffmann. A gem such as the “Ave verum” KV 618 and the incomplete Requiem KV 626 give us an idea of what Mozart might have achieved as a composer of sacred music if he had taken up this important position. Personal details
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Arranger
Franz Xaver Süßmayr
| 1766-1803
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