Mendelssohn Bartholdy: Sacred Choral Works. Complete Recording - CD, Choir Coach, multimedia | Carus-Verlag

Felix Mendelssohn Bartholdy Sacred Choral Works. Complete Recording

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Mendelssohn’s oratorios, the complete motets, psalms, choral cantatas, all the smaller church works as well as the Lobgesang symphonic cantata – this box contains all the recordings made as part of the complete collection of Felix Mendelssohn Bartholdy’s sacred vocal music with the Kammerchor Stuttgart under the direction of Frieder Bernius.

The complete recording, which was made over more than two decades, was highly praised by the press and won many awards. Now Bernius’s masterful interpretations, displaying Mendelssohn’s sense of cantabile melody and differentiated harmony in a most refined, colorful and transparent manner, are available in a complete box set.

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  • Ouverture
  • Coro "Herr, der du bist der Gott
  • Choral "Allein Gott in der Höh sei Ehr"
  • Coro "Dieser Mensch hört nicht auf"
  • Aria "Jerusalem, die du tötest die Propheten"
  • Coro "Siehe, wir preisen selig, die erduldet haben"
  • Coro "Mache dich auf, werde licht"
  • Choral "Wachet auf, ruft uns die Stimme"
  • Aria "Gott, sei mir gnädig nach deiner Güte"
  • Aria "Ich danke dir, Herr, mein Gott" con Coro "Der Herr wird die Tränen"
  • Coro "O welch eine Tiefe des Reichtums"
  • Coro "Der Erdkreis ist nun des Herrn"
  • Duetto "So sind wir nun Botschafter an Christi Statt"
  • Coro "Wie lieblich sind die Boten"
  • Coro "Ist das nicht, der zu Jerusalem verstörte alle" e Choral "O Jesu Christe, wahres Licht"
  • Duetto "Denn also hat uns der Herr geboten"
  • Coro "Die Götter sind den Menschen gleich geworden"
  • Coro "Seid uns gnädig, hohe Götter"
  • Coro "Hier ist des Herren Tempel"
  • Cavatina "Sei getreu bis in den Tod"
  • Coro "Schone doch deiner selbst" e Recitativo "Was machet ihr"
  • Coro "Sehet, welch eine Liebe hat uns der Vater erzeiget"
  • Coro "Nicht aber ihm allein, sondern allen"
  • Einleitung (Elias): So wahr der Herr, der Gott Israels, lebet
  • Ouvertüre
  • Chor (Das Volk): Hilf Herr! Willst Du uns denn gar vertilgen?
  • Duett (Zwei Frauen) mit chor: Herr, höre unser Gebet
  • Rezitativ (Obadjah): Zerreißet eure Herzen
  • Arie (Obadjah): So ihr mich von ganzem Herzen suchet
  • Chor (Das Volk): Aber der Herr sieht es nicht
  • Rezitativ (Ein Engel): Elias, gehe weg von hinnen
  • Doppelquartett (Die Engel): Denn er hat seinen Engeln befohlen
  • Rezitativ, Arie und Duett (Die Witwe, Elias): Was hast Du an mir getan
  • Chor: Wohl dem, der den Herrn fürchtet
  • Rezitativ (Elias, Ahab) mit Chor (Das Volk): So wahr der Herr Zebaoth lebet
  • Chor (Propheten Baals): Baal, erhöre uns
  • Rezitativ (Elias) und chor (Propheten Baals): Rufet lauter! Denn er ist ja Gott!
  • Rezitativ (Elias) und Chor (Propheten Baals): Rufet lauter! Er hört euch nicht
  • Arie (Elias): Herr Gott Abrahams, Isaaks und Israels
  • Quartett (SATB): Wirf dein Anliegen auf den Herrn
  • Rezitativ (Elias) und Chor (Das Volk): Der du deine Diener machst zu Geistern
  • Arie (Elias): Ist nicht des Herrn Wort wie ein Feuer
  • Arioso (Alt): Weh ihnen, dass sie von mir weichen!
  • Rezitativ (Obadjah, Elias, Knabe) und Chor (Das Volk): Hilf deinem Volk, du Mann Gottes!
  • Chor (Das Volk): Dank sei dir Gott, due tränkest das durst'ge Land
  • Arie (Sopran): Höre, Israel, höre des Herrn Stimme!
  • Chor: Fürchte dich nicht, spricht unser Gott
  • Rezitativ (Elias, Die Königin) mir Chor (Das Volk): Der Herr hat dich erhoben
  • Chor (Das Volk): Wehe ihm, er muss sterben!
  • Rezitativ (Obadjah, Elias): Du Mann Gottes, lass meine Rede
  • Arie (Elias): Es ist genug, so nimm nun, Herr, meine Seele
  • Rezitativ (Tenor): Siehe, er schläft unter dem Wachholder
  • Terzett (Drei Engel): Hebe deine Augen auf zu den Bergen
  • Chor: Siehe, der Hüter Israels
  • Rezitativ (Ein Engel, Elias): Stehe auf , Elias, denn du hast einen langen Weg
  • Arie (Ein Engel): Sei stille dem Herrn und warte auf ihn
  • Chor: Wer bis an das Ende beharrt
  • Rezitativ (Elias, Der Engel): Herr, es wird Nacht um mich
  • Chor: Der Herr ging vorüber
  • Rezitativ (Alt): Seraphim standen über ihm, Quartett (Seraphim) mit Chor: Heilig, heilig ist Gott der Herr
  • Chor-Rezitativ: Gehe wiederum hinab!
  • Arioso (Elias): Ja, es sollen wohl Berge weichen
  • Und der Prophet Elias brach hervor
  • Arie (Tenor): Dann werden die Gerechten leuchten
  • Rezitativ (Sopran): Darum ward gesendet der Prophet Elias
  • Chor: Aber einer erwacht von Mitternacht
  • Quartett (SATB): Wohlan, alle, die ihr durstig seid
  • Schlusschor: Alsdann wird euer Licht hervorbrechen
  • Kyrie in D minor
  • Christus: Geburt Christi
  • Christus: Leiden Christi
  • Grant us, Father
  • Why are the heathen so angry (Psalm 2)
  • Judge me, o God (Psalm 43)
  • My God, where hast Thou me forsaken?
  • Jesus, meine Zuversicht
  • 1. Sinfonia – Maestoso con moto
  • 1. Sinfonia - Allegretto un poco agitato
  • 1. Sinfonia - Adagio religioso
  • 2. Alles, was Odem hat (Coro e Soprano solo)
  • 3. Recitativo: Saget es, die ihr erlöst seid, Arie: Er zählet unsre Tränen (Tenore solo)
  • 4. Sagt es, die ihr erlöst seid (Coro)
  • 5. Ich harrete des Herrn (Soprano I e II solo e Coro)
  • 6. Stricke des Todes (Tenore solo)
  • 7. Die Nacht ist vergangen (Coro)
  • 8. Choral: Nun danket alle Gott
  • 9. Drum sing‘ ich mit meinem Liede (Soprano e Tenore solo)
  • 10. Ihr Völker, bringet her (Coro)
  • Hear my prayer
  • Kyrie in C minor
  • Help me, Lord, in my affliction
  • Hora est
  • My soul exalts the Lord my God
  • Salve Regina
  • Lord, now lettest thou thy servant depart
  • Coro: Vom Himmel hoch
  • Aria: Es ist der Herr Christ
  • Choral: Er bringt euch alle Seligkeit
  • Aria: Sei willekomm'
  • Arioso: Das also hat gefallen dir
  • Schlusschor: Lob, Ehr sei Gott
  • Ave maris stella
  • Te Deum laudamus
  • Te aeternum Patrem
  • Tibi omnes Angeli
  • Tibi Cherubim
  • Te gloriosus Apostolorum
  • Patrem immensae majestatis
  • Tu rex gloriae
  • Te ergo quaesumus
  • Salvum fac populum
  • Per singulos dies
  • Dignare, Domine
  • Fiat misericordia tua
  • Psalm 114
  • Coro: Wie der Hirsch schreit
  • Recitativo, Aria: Meine Tränen
  • Aria: Meine Seele dürstet
  • Coro: Was betrübst du dich
  • Recitativo: Mein Gott, betrübt ist meine Seele
  • Quintetto: Der Herr hat des Tages
  • Schlußchor: Was betrübst du dich, meine Seele
  • Coro: Lauda Sion Salvatorem
  • Coro: Laudis thema specialis
  • Soprano Solo e coro: Sit laus plena, sit sonora
  • Quartetto: In hac mensa novi Regis
  • Coro: Docti sacris institutis
  • Coro: Sub diversis speciebus
  • Soprano Solo: Caro cibus, sanguis potus
  • Soli e Coro: Sumit unus, sumunt mille
  • Kyrie in A major
  • Glory to god in the highest
  • Holy is God, the Lord Sabaoth!
  • From depth of grief I call to Thee
  • Even in the midst of life
  • Ave Maria
  • Adspice Domine
  • Let ua all be joyful
  • Weihnachten
  • O Lord, thou art our strong refuge
  • Lord, take no remembrance of our misdoings
  • Because of our transgressions
  • Exalted, O Lord, over all our praise
  • Shout to the Lord (Psalm 100)
  • Denn er hat seinen Engeln befohlen
  • Coro: Nicht unserm Namen, Herr
  • Duetto: Israel hofft auf dich
  • Arioso: Er segne euch je mehr
  • Coro: Die Toten werden dich nicht loben
  • Coro: O Haupt voll Blut und Wunden
  • Aria: Du, dessen Todeswunden
  • Choral: Ich will hier bei dir stehen
  • Christ, thou Lamb most holy
  • Choral: Mein Gott, du weißt am allerbesten
  • Choral: Wer nur den lieben Gott lässt walten
  • Aria: Er kennt die rechten Freudenstunden
  • Choral: Sing, bet und geh auf Gottes Wegen
  • In thy mercy grant us peace
  • Lord, have mercy
  • Have you seen him hov'ring near
  • Beati mortui in Domino morientes
  • Periti autem
  • O most blessed, most praised and holy
  • Te Deum a 4
  • Come, O Lord our God
  • from: Three motets
  • The shepherd blest is risen
  • Now the Lord, he guides ev'ry sinner a right
  • Thou who dost cause all men to perish
  • Shout to the Lord (Psalm 100)
  • Lift thine eyes to the mountains
  • Magnificat
  • Quia respexit
  • Et misericordia
  • Fecit potentiam, Aria
  • Deposuit potentes
  • Gloria Patri
  • Sicut erat, Fuga
  • Jesu, thou my pleasure
  • Tu es Petrus
  • We all believe in one true God
  • Wir glauben auch an Jesum Christ
  • Wir glauben an den Heilgen Geist
  • Gloria
  • Laudamus te
  • Gratias agimus tibi
  • Domine Deus
  • Qui tollis
  • Quoniam
  • Kommt, lasst uns anbeten
  • Kommet herzu
  • Denn in seiner Hand
  • Denn sein ist das Meer
  • Heute, so ihr Stimme höret
  • Ach Gott, vom Himmel
  • Recitativo (Bass): Barmherzig und gnädig
  • Aria: Das Silber durchs Feur (Solo Basso)
  • Choral: Das wollst du, Gott
  • Psalm 5
  • Defend me, Lord from shame
  • Cantique pour l’Eglise Wallonne de Francfort
  • Lass, o Herr (Solo A e Coro)
  • Deines Kinds Gebet erhöre (Solo A e Coro)
  • Herr, wir trau’n auf deine Güte (Solo A e Coro)
  • Lasst sein heilig Lob uns singen (Coro)
  • Psalm 2
  • Psalm 24
  • Psalm 31
  • Psalm 91
  • Singet dem Herrn ein neues Lied
  • Der Herr lässt sein Heil verkündigen
  • Jauchzet dem Herrn alle Welt
  • Er wird den Erdkreis richten
  • Hark! The herald angels sing
  • Psalm 93
  • Psalm 98
  • Psalm 100
  • Lord God, thy praise we sing
  • Dein göttlich Macht und Herrlichkeit
  • Du König der Ehren Jesu Christ!
  • Lass uns im Himmel haben Teil
  • Täglich, Herr Gott, dich loben wir
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Compact Disc, 14 CDs, CD-BOX Carus 83.049/00, EAN 4009350830493
available
69,90 € / copy
Additional product information
  • The Kammerchor Stuttgart is regarded as one of the best ensembles of its kind. Over its fifty-year existence, Frieder Bernius has developed the choir into an exceptional ensemble acclaimed by audiences and press alike. This has led to invitations for the choir to perform at all the important European festivals. In Germany the chamber choir performs at festivals and in concert halls in repertoire ranging from the 17th to the 21st century. Frieder Bernius and his ensemble have received numerous accolades for their contribution to new music. The Kammerchor Stuttgart has made over 80 CDs and LPs, numerous of which have been awarded international recording prizes (including the Edison award, Diapason d’or, Gramophone Choice, Classical Internet Award, International Classical Music Award, and German Record Critics’ Award prizes). The International Federation for Choral Music has invited the ensemble to sing at the 1st, 4th and 10th World Symposia on Choral Music in Vienna, Sydney and Seoul. Regular tours of North America and Asia since 1988 and a South America tour reflect the Kammerchor Stuttgart’s international reputation. Since 1984 the top ensemble has also been invited to Israel biennially. Personal details
  • The Ensemble Stuttgart (Ensemble '76) was founded by Wolfgang Rösch in 1976 and is made up of solo players, musicians from Stuttgart orchestras and music students. Its repertoire comprises pieces for chamber orchestra, including the Bach Brandenburg Concertos as well as symphonies by Haydn, Mozart and Schubert, and chamber music, including the sextets of Brahms and Tchaikovsky and the Mendelssohn Octet. In addition it plays contemporary pieces, some of which were written for this ensemble. The Ensemble Stuttgart gives concerts in Germany, France, Italy and Belgium, and has been involved in many CD and radio productions. Personal details
  • Founded in 1945, the Stuttgarter Kammerorchester is the oldest and most renowned ensemble of its kind and for over 65 years it has occupied an outstanding position in international orchestra culture. Michael Hofstetter has been the conductor of this ensemble since September 2006. The orchestra had already earned its excellent reputation under its founder and long-time director, Karl Münchinger. Through a completely new and exemplary style of interpretation of the works of Johann Sebastian Bach the Stuttgarter Kammerorchester became a pathfinder in the field of historical performance practice. Dennis Russell Davies, its principal conductor, from 1995 to 2006, expanded the repertoire of the orchestral, especially with works from 20th century. In 2008 the orchestra was awarded the European Chamber Music Award by the European Foundation for Culture. Personal details
  • The Deutsche Kammerphilharmonie Bremen is one of the world's leading orchestras, captivating audiences everywhere with its unique style of music-making. The Estonian conductor Paavo Järvi has been the orchestra's Artistic Director since 2004.


    One of the many highlights of the collaboration with Paavo Järvi has been their Beethoven Project, on which conductor and orchestra concentrated for six years. Their Beethoven interpretations have been acclaimed worldwide by audiences and critics alike as benchmark performances. Following the Beethoven Project The Deutsche Kammerphilharmonie Bremen and Paavo Järvi focused on Robert Schumann's symphonic works with equal success.
    The latest project of the orchestra and its conductor is the German composer Johannes Brahms. The first CD (Sony/RCA) of the project – Symphony No. 2, Tragic Ouverture and the Academic Festi-val Ouverture – was released in autumn 2017 and received the Opus Klassik in October 2018. The second CD, including Symphony No. 1 and the Haydn-Variations, followed in autumn 2018. With the third and fourth Symphony, released in March 2019, the symphony cycle has come to completion.
    Highlight of the project was the internationally acclaimed performance of ›A German Requiem‹ on the 10th of April 2018 at Bremen Cathedral, 150 years after the first performance. The recording has now been released on DVD and Blu-ray by C-Major. In October 2019, ›The Brahms Code‹ – an excit-ing TV/DVD documentary about the Brahms Project produced by Deutsche Welle/Unitel – was re-leased and is the current German Record Critics' Award winner in the category music film (listed 1/20).


    The Deutsche Kammerphilharmonie Bremen has been honoured with countless prizes such as Echo, Opus and Diapason d'Or for its recordings and the unique education project with the Gesamtschule Bremen-Ost in Osterholz-Tenever, the Zukunftslabor. For years, the orchestra has cultivated close musical friendships with international soloists such as Christian Tetzlaff, Maria João Pires, Janine Jansen, Igor Levit, Hilary Hahn and Martin Grubinger.


    The Deutsche Kammerphilharmonie Bremen is permanent guest orchestra at the Elbphilharmonie Hamburg and Festival Orchestra of Kissinger Sommer. Personal details
  • The Klassische Philharmonie Stuttgart is comprised of musicians from leading German symphony orchestras and chamber ensembles who have been performing with Frieder Bernius over a long period. Although the orchestra uses modern instruments, the conductor and his players are particularly interested in stylistic distinctions. For performances of large-scale choral works, the Klassische Philharmonie Stuttgart is the orchestral pendant to the Kammerchor Stuttgart. The orchestra has participated in a variety of events, including the Rheingau Music Festival, Stuttgart European Musikfest, Baden-Württemberg International Festival, Wratislavia Cantans Festival in Wroc³aw (Poland), the Kassel Music Festival, the Philharmonic Society of Brussels and the Herbstliche Musiktage Bad Urach. The idea of creating an orchestral partner of equal quality to the Kammerchor Stuttgart has been vindicated not least by their joint recording of Johannes Brahms’ A German Requiem. The French periodical Répertoire has confirmed Frieder Bernius’s vision of the work as a “discographic knockout.” Personal details
  • Frieder Bernius’s work has earned great worldwide recognition. He is in demand internationally as a conductor and as a teacher. His principal artistic collaborators are the ensembles he founded himself, the Kammerchor Stuttgart, the Barockorchester Stuttgart, the Hofkapelle Stuttgart and the Klassische Philharmonie Stuttgart. As a guest conductor, he has collaborated repeatedly with, for example, the SWR Vokalensemble Stuttgart, the Deutsche Kammerphilharmonie Bremen, the Stuttgarter Kammerorchester and the Streicherakademie Bozen. Great stylistic versatility is Frieder Bernius’s hallmark. Whether he conducts vocal works by Monteverdi, Bach, Händel, Mozart, Beethoven, Fauré and Ligeti, stage music by Mendelssohn or symphonies by Haydn, Burgmüller and Schubert, his work always aims for a sound that is at once unmistakably personal and at the same time oriented towards the original period sound ideal. He devotes himself equally to the rediscovery of 18th century operas and to first performances of contemporary compositions. He is particularly interested in the musical history of southwestern Germany. Carus-Verlag has awarded Frieder Bernius a Golden CD for his complete recording of the sacred music of Felix Mendelssohn Bartholdy. The award was presented to him during the German Choir Festival in Stuttgart 2016. The sale of over 250,000 recordings, which has been acclaimed with a number of awards, has made a not insignificant contribution to what today is the obvious presence of Mendelssohn's complete œuvre in the concert repertoire. Personal details

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