Homilius: Ein hoher Tag kömmt - Sheet music | Carus-Verlag

Gottfried August Homilius Ein hoher Tag kömmt

Kantate zum 1. Weihnachtsfesttag HoWV II.9

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The cantata "Ein hoher Tag kömmt", composed for Christmas Day, cannot be precisely dated (as is the case with most of Homilius's cantatas), but most certainely it can be assigned to his tenure as Kreuzkantor in Dresden (1755-1785). The author of the cantata text is unknown.
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  • Coro: Ein hoher Tag kömmt
  • Terzetto (SST): O Tag voll Heils
  • Aria (S con Coro): Ich singe seinen Namen
  • Corale: Jauchzt, Himmel, die ihr ihn erfuhrt
  • 1. Satz: Ein hoher Tag kömmt
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full score Carus 37.208/00, ISMN 979-0-007-09573-4 52 pages, DIN A4, paperback
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vocal score Carus 37.208/03, ISMN 979-0-007-09577-2 24 pages, paperback
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choral score Carus 37.208/05, ISMN 979-0-007-13178-4 4 pages, DIN A4, without cover Minimum order quantity: 20 copies
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set of parts, complete orchestral parts Carus 37.208/19, ISMN 979-0-007-13701-4 DIN A4, without cover
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individual part, organ Carus 37.208/49, ISMN 979-0-007-21467-8 12 pages, 23 x 32 cm, without cover
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Homilius: Ein hoher Tag kömmt, playing score Carus 37.208/06, ISMN 979-0-007-17126-1 4 pages, DIN A4, without cover Minimum order quantity: 20 copies
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  • Gottfried August Homilius, the son of a pastor, was born in Rosenthal (Saxony) on 2 February 1714. In May 1735 he enrolled as a law student at Leipzig University. Likewise, it was probably at this time that Homilius was a pupil of Johann Sebastian Bach; the latter fact had been attested to by Johann Adam Hiller. Apart from Bach, Homilius also had contact with Johann Schneider, a Bach pupil and organist at the Nicolaikirche, for whom he also substituted. After unsuccesfully applying for a post as organist in Bautzen, Homilius was appointed organist at the Dresden Frauenkirche in 1742. In 1755 Homilius succeeded Theodor Christlieb Reinhold as Kreuzkantor and music director of the three main churches in Dresden, a position that he occupied until his death on 2 June 1785. Personal details
  • Uwe Wolf studied musicology, history, and historical ancillary science at Tübingen and Göttingen. After receiving his doctorate in 1991 he was a research assistant at the Johann-Sebastian-Bach-Institut in Göttingen. From 2004 he worked at the Bach-Archiv Leipzig. There he directed a both research departments, was substantially responsible for the redisigning of the Bach Museum, and he developed the digital Online-Projekt Bach. Since October 2011 he has been the Chief Editor at Carus-Verlag, Stuttgart. He has taught at various universities and also belongs to the editorial boards of several complete editions. Personal details

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