Heinrich Schütz Surrexit pastor bonus

SWV 469

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The Easter concerto Surrexit pastor bonus, for large forces, is based on a Latin responsory for Easter. The work is extant only in handwritten form, and nothing is known regarding the date of composition, although the polychoral design, with two ad libitum tutti choirs ("Capellchöre") could indicate a temporal proximity to the Psalms of David 1619. On the other hand, the freer treatment of the instruments in particular suggests the Symphoniae sacrae and especially - given the work’s large instrumentation - the third part, dated 1650.
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full score Carus 20.469/00, ISMN 979-0-007-14273-5 20 pages, DIN A4, paperback
available
12,95 € / copy
choral score Carus 20.469/05, ISMN 979-0-007-16139-2 8 pages, DIN A4, without cover Minimum order quantity: 20 copies
available
from 20 copies 3,80 € / copy
from 40 copies 3,42 € / copy
from 60 copies 3,04 € / copy
choral score, capellchor Carus 20.469/06, ISMN 979-0-007-16140-8 4 pages, DIN A4, without cover
available
2,60 € / copy
set of parts, complete orchestral parts Carus 20.469/19, ISMN 979-0-007-14302-2 23 x 32 cm, without cover
available
36,00 € / copy
  • 1 x full score (20.469/00)
    each: 12,95 €
    4 x individual part, violin (20.469/11)
    each: 4,50 €
    2 x individual part, basso continuo (20.469/12)
    each: 3,20 €
    3 x individual part, 3 trombones (20.469/31)
    each: 4,50 €
Additional product information
  • Heinrich Schütz is regarded as the first German musician of European stature. As a choirboy from 1599 at the court of Landgrave Moritz of Hessen-Kassel, he received a thorough education. In 1608 he began a law degree in Marburg, but broke this off in 1609 in order, with the support of the Landgrave, to study composition with Giovanni Gabrieli, organist at St Mark’s in Venice. In 1613 Schütz returned to Kassel, but two years later was enticed away by Elector Johann Georg I of Saxony to the Dresden court as “Organist und Director der Musica”, where he held the position of Hofkapellmeister (court Kapellmeister) from 1617 until his death. Schütz’s great cycles of vocal works marked the high point of his reputation in Germany and northern Europe. But these represent only part of Schütz’s output; individual works are represented in printed collections with works by other composers, others only survive in manuscript, and much has been lost. The Stuttgart Schütz Edition makes available Schütz’s complete oeuvre, and all works are also published in practical Urtext editions. Personal details
  • Uwe Wolf studied musicology, history, and historical ancillary science at Tübingen and Göttingen. After receiving his doctorate in 1991 he was a research assistant at the Johann-Sebastian-Bach-Institut in Göttingen. From 2004 he worked at the Bach-Archiv Leipzig. There he directed a both research departments, was substantially responsible for the redisigning of the Bach Museum, and he developed the digital Online-Projekt Bach. Since October 2011 he has been the Chief Editor at Carus-Verlag, Stuttgart. He has taught at various universities and also belongs to the editorial boards of several complete editions. Personal details
  • Paul Horn war ein deutscher Kirchenmusiker, Organist, Komponist und Musikwissenschaftler. Er studierte Kirchenmusik und Orgel an der Evangelischen Kirchenmusikschule Esslingen am Neckar bei Hans-Arnold Metzger und Musikwissenschaft, Theologie und Geschichte an der Universität Tübingen. Seine berufliche Laufbahn begann als Kantor an der Evangelischen Michaelskirche in Stuttgart-Degerloch. 1954 wurde er Kantor an der Evangelischen Stadtkirche Ravensburg, eine Position, die er bis zu seiner Pensionierung innehatte. Als Musikwissenschaftler arbeitete Horn bis ins hohe Alter eng mit Carus zusammen. So stammen zahlreiche Carus-Klavierauszüge aus seiner Feder. Personal details

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