Haydn's Missa in B flat major has gone down in music history as the Theresienmesse, even though the reason for this designation is unclear. In order to give fullest justice to this beautiful work and to be able to offer the widest possible range of expression in the interpretation, it is essential to practice each individual voice well. The efforts are rewarded: the choristers experience the sheer joy of making music, making a lasting impact on the listener.
Simply practice. Anytime. Everywhere.
Whether at home on your tablet or PC or on the road on your smartphone: with carus music, the Choir Coach, you always have your choral works with you to practice! With the carus music choir app, you can listen to your score together with a first-class recording on any device and easily practice your own choir part with a coach. With carus music, your concert preparation is easy, efficient and fun to master!
Performers: Simona Šaturová (soprano), Roxana Constantinescu (alto), Corby Welch (tenore), Yorck Felix Speer (basso) – Oregon Bach Festival Chorus, Oregon Bach Festival Orchestra – Helmuth Rilling
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text (without music) for download, html file, Introductory text, Englishhtml file, Introductory text, English (Sample)...
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text (without music) for download, html file, Introductory text, Germanhtml file, Introductory text, German (Sample)Gekürztes Vorwort der Ausgabe Carus 40.610
Wolfgang Hochstein
Als Fürst Nikolaus von Esterházy im Jahre 1790 starb, hatte Haydn ihm fast 30 Jahre lang als Kapellmeister gedient. Der neue Fürst Anton Paul löste die Hofkapelle auf und beließ Haydn formal im Amt, ohne dessen Dienste jedoch zu beanspruchen. Dieser verlegte seinen Hauptwohnsitz nach Wien und trat bald darauf seine beiden Reisen nach England an. Anton Paul verstarb bereits 1794, und Fürst Nikolaus II. bat Haydn um die Reorganisation der Hofkapelle. Neben deren Wiederaufbau bestand Haydns wesentliche Aufgabe darin, zum Namenstag der Fürstengattin Maria Josepha Hermenegilda alljährlich eine Messe zu schreiben und die Aufführungen selbst zu leiten. Da der Rufname der Fürstin Maria lautete, wurde ihr Namenstag jeweils im September begangen – und zwar nach damaliger Gepflogenheit meistens an dem auf das Fest Mariä Geburt (8. September) folgenden Sonntag. 1799, im Entstehungsjahr der Messe, fiel das Fest auf einen Sonntag, sodass die Theresienmesse genau am Fest Mariä Geburt in der Eisenstädter Bergkirche uraufgeführt wurde.
Auf den authentischen Quellen lautet der Titel des vorliegenden Werkes lediglich „Missa“. Wieso es bei dem vorliegenden Werk zu
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text (without music) for download, html file, Singing text, originalhtml file, Singing text, original (Sample)Kyrie 1 Kyrie eleison (Soli SATB, Coro)
Kyrie eleison.
Gloria 2 Gloria in excelsis Deo (Coro)
Christe eleison.
Kyrie eleison.Gloria in excelsis Deo.
3 Gratias agimus tibi (Soli SATB, Coro)
Et in terra pax hominibus bonae voluntatis.
Laudamus te. Benedicimus te. Adoramus te.
Glorificamus te.Gratias agimus tibi
propter magnam gloriam tuam.
Domine Deus, Rex coelestis, Deus Pater omnipotens.
Domine Fili unigenite, Jesu Christe.
Domine Deus, Agnus Dei, Filius Patris.
Qui tollis peccata mundi, miserere nobis,
suscipe deprecationem nostram.
Qui sedes ad dexteram Patris, miserere nobis....
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Composer
Joseph Haydn
| 1732-1809As Kapellmeister to Prince Esterházy, Haydn composed numerous instrumental works and various operas, as well as making important contributions to the genre of church music, including fourteen Latin masses, of which only twelve are authentic or complete; these are complemented by motets and offertories, two important Te Deum settings, two Salve Reginas, a Stabat Mater, and the different versions of the Sieben Worte des Erlösers am Kreuze. The masses were composed continually between 1749 and 1802, except for the years 1783–1795, and therefore constitute the genre with which Haydn was occupied over the longest period of time. The six (authentic or complete) masses composed before 1782 are stylistically very different, and as well as short Missae breves there are more extended masses with rich orchestral scoring; by contrast the six so-called late masses, written from 1796 onwards, form a comparatively homogeneous group of more extensive works scored for large forces. With his two great oratorios Die Schöpfung (The Creation) (1798) and Die Jahreszeiten (The Seasons) (1801) Haydn established the tradition of the German oratorio for middle-class music making. Personal details
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Conductor
Helmuth Rilling
| 1933
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Soloist - alto
Roxana Constantinescu
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Soloist - bass
Yorck Felix Speer
The bass-baritone Yorck Felix Speer studied singing at the music conservatories in Hamburg and Lübeck. He has performed in numerous concerts with leading orchestras and choruses such as the Bach Collegium Munich, Staatsphilharmonie Rheinland-Pfalz [German Philharmonic Orchestra Rhineland-Palatinate] and the Norddeutscher Rundfunk Sinfonieorchester. He regularly performs throughout Europe, in France, Italy, Hungary, Austria and Switzerland. He made his debut in 2002 as Figaro in Mozart’s Le nozze di Figaro under Christian Kabitz. A further highlight was a tour with the Orchestre des Champs-Élysées and Philippe Herreweghe in autumn 2006. Yorck Felix Speer has been invited to sing the part of Christus in Bach’s St. Matthew Passion with Riccardo Chailly in 2009. Personal details
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