Johann Adolf Hasse Requiem in B flat major

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Hasse’s much smaller-scale Requiem in B flat major, which we are publishing for the first time, was presumably composed as early as the second half of the 1750s.  Nothing is known about the occasion for which this beautiful work was composed, or even whether it was performed during the composer’s lifetime. Perhaps the Seven Years War, in which the electorate of Saxony was involved, prevented any performance. Several borrowings from it in his Requiem in C major and in the later Requiem in E flat major show that Hasse held the work in high regard.


Audio example:
Live recording from Dresden, Kreuzkirche, 20.11.2022

Carine Tinney, Soprano
Anna-Maria Tietze, Mezzosoprano
Marie Bieber, Alto
Vocal Concert Dresden
Dresdner Instrumental-Concert
Conductor: Peter Kopp

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Listen (10)
  • Requiem aeternam
  • Te decet hymnus
  • Kyrie eleison
  • Domine Jesu Christe
  • Hostias et preces
  • Sanctus
  • Benedictus
  • Osanna
  • Agnus dei
  • Lux Aeterna
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Purchase
full score Carus 50.752/00, ISMN 979-0-007-25294-6 44 pages, paperback
available
69,00 € / copy
vocal score Carus 50.752/03, ISMN 979-0-007-24821-5 32 pages, paperback
available
12,00 € / copy
set of parts, complete orchestral parts Carus 50.752/19, ISMN 979-0-007-24832-1 23 x 32 cm, without cover
available
89,00 € / copy
  • 1 x set of parts, harmony parts, flute 1, flute 2, oboe 1, oboe 2, bassoon, horn 1, horn 2 (50.752/09)
    each: 22,50 €
    5 x individual part, violin 1 (50.752/11)
    each: 4,00 €
    5 x individual part, violin 2 (50.752/12)
    each: 4,00 €
    4 x individual part, viola (50.752/13)
    each: 4,00 €
    4 x individual part, basso continuo (50.752/14)
    each: 4,00 €
    1 x individual part, organ (50.752/49)
    each: 10,00 €
individual part, organ Carus 50.752/49, ISMN 979-0-007-24838-3 12 pages, 23 x 32 cm, without cover
available
10,00 € / copy
full score digital (download), pdf file Carus 50.752/00-010-000, ISMN 979-0-007-29775-6 44 pages
available
62,10 € / copy

Reviews

Hasses Werk schließt nicht alle Teile eines Requiems ein – vielleicht, weil die Totenmesse damals nicht zur Aufführung kam? Einen unvollendeten Eindruck macht das immerhin etwas vierzigminütige Werk aber nicht. Viele Teile sind positive Anrufungen, entsprechend darf sich das Requiem in Schönheit gewanden. Auf den verhalten-dunklen Beginn (Requiem aeternam“ / „Ewige Ruhe“) folgt die Aufhellung („et lux“ / „es leuchte“) sogleich auch musikalisch.
Wolfgang Quellmalz, Dresdner Neueste Nachrichten, 22.11.2022

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