Handel's Israel in Egypt is not only a large-scale oratorio, but in particular, the chorus has a major part to sing, and the soloists less so. The carus music version contains all three parts of the oratorio. In the first part, which can also be separately performed as the Funeral Anthem, the corresponding singing text is underlaid additionally in italics. In Israel in Egypt a wide range of expression is required from the chorus – sometimes rejoicing festively, sometimes dramatic and expressive. Confidence in the text and the notes is a prequisite, so that these contrasts can be shown to their best advantage. Practice makes perfect!
The Carus Choir Coach offers choir singers the unique opportunity to study and learn their own, individual choral parts within the context of the sound of the entire choir and orchestra. For every vocal range a download containing each choir part is available. The Carus Choir Coach is based on recorded interpretations by renowned artists who have performed the work from carefully prepared Carus Urtext editions. Each choir part is presented in three different versions:
- Original recording
- Coach: each part is accompanied by the piano, with the original recording sounding in the background
- Coach in slow mode: the tempo of the coach slows down to 70% of the original version – through this reduction passages can be learned more effectively.
Performers: Antonia Bourvé, (Soprano), Cornelia
Winter (Soprano), Terry Wey (Alto), Michael Hofmeister (Alto),
Jan Kobow (Tenore), Konstantin Wolff (Basso), Markus Flaig
(Basso) – Vocalensemble Rastatt, Les Favorites – Holger Speck
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- Quartet: When the ear heard him
- Quartet: They shall receive
- Air (Alto): Their land brought forth frogs
- Chorus: Thy right hand, O Lord
- Symphony
- Chorus: The sons of Israel do mourn
- Chorus: How is the mighty fall’n
- Soli and Chorus: The righteous shall be had
- Chorus: Their bodies are buried in peace
- Chorus: The people will tell of their wisdom
- Chorus: The merciful goodness of the Lord
- Recit. (Tenore): Now there arose a new king
- Solo and Chorus: And the children of Israel
- Recit. (Tenore): Then sent he Moses
- Chorus: They loathed to drink of the river
- Chorus: He spake the word
- Chorus: He gave them hailstones for rain
- Chorus: He sent a thick darkness
- Chorus: He smote all the firstborn of Egypt
- Chorus: But as for his people
- Chorus: Egypt was glad when they departed
- Chorus: He rebuked the Red Sea
- Chorus: And Israel saw that great work
- Chorus: Moses and the children of Israel
- Duet (Soprano I e II): The Lord is my strength
- Chorus: He is my God
- Duet (Basso I e II): The Lord is a man of war
- Chorus: The dephts have cover’d them
- Chorus: And with the blast of thy nostrils
- Air (Tenore): The enemy said, I will pursue
- Air (Soprano I): Thou didst blow with the wind
- Chorus: Who is like unto thee, O Lord
- Duet (Alto, Tenore): Thou in thy mercy hast led forth thy people
- Chorus: The people shall hear
- Air (Alto): Thou shalt bring them in
- Chorus: The Lord shall reign for ever and ever
- Recit. (Tenore): For the horse of Pharaoh
- Chorus: The Lord shall reign for ever and ever
- Recit. (Tenore): And Miriam the prophetess
- Solo and Chorus: Sing ye to the Lord
Practise
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Practice aids voice part soprano
- Chorus: How is the mighty fall’n (Choir Coach, soprano 1)
- Chorus: They loathed to drink of the river (Choir Coach)
- Chorus: He smote all the firstborn of Egypt (Choir Coach)
- Chorus: Thy right hand, O Lord (Choir Coach, soprano 2)
- Chorus: How is the mighty fall’n (Choir Coach, Slow mode, soprano 1)
- Chorus: They loathed to drink of the river (Choir Coach, Slow mode)
- Chorus: He smote all the firstborn of Egypt (Choir Coach, Slow mode)
- Chorus: Thy right hand, O Lord (Choir Coach, Slow mode, soprano 2)
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Practice aids voice part alto
- Chorus: How is the mighty fall’n (Choir Coach)
- Chorus: They loathed to drink of the river (Choir Coach)
- Chorus: He smote all the firstborn of Egypt (Choir Coach)
- Chorus: Thy right hand, O Lord (Choir Coach, Alto 2)
- Chorus: How is the mighty fall’n (Choir Coach, Slow mode)
- Chorus: They loathed to drink of the river (Choir Coach, Slow mode)
- Chorus: He smote all the firstborn of Egypt (Choir Coach, Slow mode)
- Chorus: Thy right hand, O Lord (Choir Coach, Slow mode, Alto 2)
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Practice aids voice part tenore
- Chorus: How is the mighty fall’n (Choir Coach)
- Chorus: He spake the word (Choir Coach, Tenore 2)
- Chorus: Egypt was glad when they departed (Choir Coach)
- Chorus: Who is like unto thee, O Lord (Choir Coach, Tenore 1)
- Chorus: How is the mighty fall’n (Choir Coach, Slow mode)
- Chorus: He spake the word (Choir Coach, Slow mode, Tenore 2)
- Chorus: Egypt was glad when they departed (Choir Coach, Slow mode)
- Chorus: Who is like unto thee, O Lord (Choir Coach, Slow mode, Tenore 1)
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Practice aids voice part basso
- Chorus: How is the mighty fall’n (Choir Coach)
- Chorus: They loathed to drink of the river (Choir Coach)
- Chorus: He smote all the firstborn of Egypt (Choir Coach)
- Chorus: Thy right hand, O Lord (Choir Coach, Basso 2)
- Chorus: How is the mighty fall’n (Choir Coach, Slow mode)
- Chorus: They loathed to drink of the river (Choir Coach, Slow mode)
- Chorus: He smote all the firstborn of Egypt (Choir Coach, Slow mode)
- Chorus: Thy right hand, O Lord (Choir Coach, Slow mode, Basso 2)
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Contents
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Composer
Georg Friedrich Händel
| 1685-1759George Frideric Handel put his exceptionally versatile compositional abilities to the test at an early age. After moving to London in 1712, where he was appointed Composer of Musick for His Majesty’s Chapel Royal in 1723, he wrote numerous masterpieces for the royal court as well as his major opere serie. For many years he enjoyed triumphant successes with his operas, which were sung by outstanding performers, with serenades, and later also with oratorios such as Saul and Israel in Egypt. Over the years Handel’s reputation grew far beyond the city where he worked; some of his choral works, particularly Messiah, have enjoyed a performance tradition which remains unbroken to this day, and are sung by choirs throughout the world. Personal details
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Choir
Vocalensemble Rastatt
Alongside its dedication to a core repertoire of composers such as Monteverdi, Schütz, Bach, Mozart, Haydn, Schumann, and Brahms, the Vocalensemble Rastatt & Les Favorites frequently explore new terrain with premiere performances. On the heels of its successes in national and international choir competitions, the ensemble has taken part in numerous internationally acclaimed CD recordings as well as radio, and television productions for SWR, Radio France, Deutschlandradio Kultur, and Deutschlandfunk. The Vocalensemble Rastatt & Les Favorites have performed in the Festspielhaus Baden-Baden, the Musikfest Bremen, the Kölner Philharmonie, the SWR RheinVokal Festival, the Europäisches Musikfest Stuttgart, the Schwetzinger Festspiele, the Deutschlandradio Kultur Wartburgkonzerte, the Internationale Musiktage im Dom zu Speyer, the Philharmonie in Mulhouse, and the Centre de Musique “Les Dominicains” in Guebwiller, France, among other venues. The flexible choir does not shy away from excursions into the world of opera, having performed Donizetti’s Lucia di Lammermoor and Bellini’s Norma with Edita Gruberova, and Mozart’s Don Giovanni and Così fan tutte with Rolando Villazón. Together with Klaus Maria Brandauer and the Chamber Orchestra of Europe, the choir also performed Mendelssohn’s Sommernachtstraum at the Musikfest Bremen. The ensemble is sponsored by the German state of Baden-Württemberg in co-operation with its “Kunst 2020” program, as well as by its home city of Rastatt. Personal details
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Ensemble
Les Favorites
Alongside its dedication to a core repertoire of composers such as Monteverdi, Schütz, Bach, Mozart, Haydn, Schumann, and Brahms, the Vocalensemble Rastatt & Les Favorites frequently explore new terrain with premiere performances. On the heels of its successes in national and international choir competitions, the ensemble has taken part in numerous internationally acclaimed CD recordings as well as radio, and television productions for SWR, Radio France, Deutschlandradio Kultur, and Deutschlandfunk. The Vocalensemble Rastatt & Les Favorites have performed in the Festspielhaus Baden-Baden, the Musikfest Bremen, the Kölner Philharmonie, the SWR RheinVokal Festival, the Europäisches Musikfest Stuttgart, the Schwetzinger Festspiele, the Deutschlandradio Kultur Wartburgkonzerte, the Internationale Musiktage im Dom zu Speyer, the Philharmonie in Mulhouse, and the Centre de Musique “Les Dominicains” in Guebwiller, France, among other venues. The flexible choir does not shy away from excursions into the world of opera, having performed Donizetti’s Lucia di Lammermoor and Bellini’s Norma with Edita Gruberova, and Mozart’s Don Giovanni and Così fan tutte with Rolando Villazón. Together with Klaus Maria Brandauer and the Chamber Orchestra of Europe, the choir also performed Mendelssohn’s Sommernachtstraum at the Musikfest Bremen. The ensemble is sponsored by the German state of Baden-Württemberg in co-operation with its “Kunst 2020” program, as well as by its home city of Rastatt. Personal details
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Conductor
Holger Speck
Holger Speck is founder and artistic director of the Vocalensemble Rastatt & Les Favorites. He has developed a distinguished international reputation as a charismatic musician who is capable of bringing to life the aesthetic details of the sound particular to different periods, while communicating emotive content to the listener. His keen sense of sound assures the unmistakable tonal quality of his ensembles. His compelling, lively, and profound interpretations are regularly praised in specialist publications. He has conducted at famous festivals and concert halls such as the Festspielhaus Baden-Baden, the Philharmonie Mulhouse, the Händelfestspiele Karlsruhe, the Europäische Musikfest Stuttgart, the Schwetzinger Festspiele, the Festival Europäische Kirchenmusik Schwäbisch Gmünd, and the SWR RheinVokal Festival. Holger Speck has won prizes at both national and international competitions with the Vocalensemble Rastatt. His CD recordings have met with international acclaim (Gramophone Magazine, American Record Guide, Fanfare, Fono Forum, L’Orfeo, Pizzicato, Diapason, Classicstoday etc.). He frequently collaborates with artists such as Anne Le Bozec (Piano), Reinhold Friedrich (Trumpet), Wolfgang Meyer (Clarinet), and Veronika Skuplik (Violin). Holger Speck is also in demand as a singer, as a guest conductor, and as a lecturer at seminars for conducting and interpretation. He teaches at the Hochschule für Musik in Karlsruhe. Personal details
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Soloist - soprano
Antonia Bourvé
Antonia Bourvé studied opera and lieder singing with Stephan Kohlenberg and Felicitas Strack at the Hochschule für Musik in Karlsruhe. Her studies continued with master classes with Brigitte Fassbaender and Anna Reynolds, and lieder classes with Mitsuko Shirai and Hartmut Höll. She was awarded a scholarship by the Richard Wagner Association and won first prize in the Kulturfonds Baden opera competition. A much sought-after soprano, Antonia Bourvé’s guest appearances include the title role in Mozart’s Zaide at the Staatstheater Nuremberg. She has also sung on CD recordings of Mozart’s Schauspieldirektor and Beethoven’s Scottish Songs. A further recording, which has been praised as a benchmark recording by the press, is Saint-Saëns’ Oratorio de Noël, conducted by Holger Speck on the Carus label (Carus 83.352) Personal details
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Soloist - soprano
Cornelia Winter
The soprano Cornelia Winter studied at the Musikhochschulen in Frankfurt and Berlin with Elsa Cavelti and Ingrid Figur, and took part in master classes with Laura Sarti, Barbara Schlick and Paul Esswood. She has made guest appearances at the Nationaltheater Mannheim and the Stadttheater Heidelberg. She has sung with the “Ensemble Modern”, “Concerto Köln”, and “l‘Arpa Festante” in Germany and abroad. An outstanding example of her work to date is the CD “Landschaft mit entfernten Bekannten” by Heiner Goebbels, released in 2007, with the Ensemble Modern and the Deutscher Kammerchor, which was staged at the “Théatre des Amandiers” in Paris. Personal details
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Soloist - alto
Michael Hofmeister
Whilst he was still a student Michael Hofmeister sang at the Staatsoper in Hanover, and in Berlin in a theatre project by Ruedi Häusermann. He performs with conductors including Enrique Mazzola, Konrad Junghänel, Michael Schneider and Holger Speck and directors such as Calixto Bieto, Peter Konwitschny and Trisha Brown. In addition to his operatic engagements, Michael Hofmeister enjoys a busy career in the Baroque music field and has sung at festivals including the Handel Festival in Halle. He sang in Adriana Hölszky’s Hybris and Salvatore Sciarrino’s Da Gelo a Gelov at the Schwetzingen Festival. He has also sung in the Sciarrino work at the Opéra National de Paris and the Grand Théâtre de Genève in the 2007/08 season. Personal details
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Soloist - alto
Terry Wey
Terry Wey was born in Switzerland and received his first singing lessons as a member of the Vienna Boys’ Choir with Silvija V. Purchar, later studying with Kurt Equiluz and Christine Schwarz. As a boy treble he won prizes in several competitions (including the MIGROS Genossenschaftsbund [Cooperative Society] Zurich, Kärntner-Sparkasse [Savings Bank] and Wörthersee Music Scholarship). His first appearances with the “Clemencic Consort” under René Clemencic in 2003 brought him to the notice of the international concert and opera scene. He has performed with conductors including Thomas Hengelbrock, Marc Minkowski and Michael Hofstetter and orchestras such as the Balthasar-Neumann-Ensemble, Les Arts Florissants and Les Musiciens du Louvre Grenoble. Several CD recordings illustrate his achievements and versatility. Personal details
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Soloist - tenor
Jan Kobow
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Soloist - bass
Konstantin Wolff
Konstantin Wolff studied with Donald Litaker at the Hochschule für Musik in Karlsruhe. He won the Felix Mendelssohn Bartholdy Prize from the Stiftung Preußischer Kulturbesitz, was awarded a scholarship by the German National Academic Foundation and made his opera debut in 2005 at the Opera National de Lyon under William Christie in Monteverdi’s L’incoronazione di Poppea. His concert repertoire ranges from the early baroque to the 20th century. He has performed with conductors including Gerd Albrecht, Alun Francis, Riccardo Chailly, Ton Koopman, René Jacobs, Claudio Abbado, Sir Simon Rattle and Nicholas McGegan. His first solo CD, a recording of Lieder to texts by Victor Hugo, has been enthusiastically received. Personal details
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Soloist - bass
Markus Flaig
| 1971
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