Fischer: Missa latina - Sheet music | Carus-Verlag

Bobbi Fischer Missa latina

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The Missa latina is a complete setting of the Latin Mass for solo soprano, large mixed choir (SATB divisi as well as soloists from the choir) and a band consisting of violin, bandoneon (accordion), piano, double bass, drums and percussion. The word “latina“ not only refers to the Latin text, but also to the musical style which makes use of Latin-American rhythms. Thus elements from Argentinian tangos stand side by side with Caribbean rhythms and Latin jazz with enough space provided for instrumental improvisations.
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  • Missa latina. Kyrie
  • Gloria
  • Credo
  • Sanctus
  • Benedictus
  • Agnus Dei
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Purchase
full score Carus 28.007/00, ISMN 979-0-007-18667-8 64 pages, spiral bound
available
84,00 € / copy
vocal score Carus 28.007/03, ISMN 979-0-007-17155-1 80 pages, paperback
available
25,00 € / copy
choral score Carus 28.007/05, ISMN 979-0-007-33865-7 36 pages, DIN A4, without cover Minimum order quantity: 20 copies
available
from 20 copies 20,00 € / copy
from 40 copies 18,00 € / copy
from 60 copies 16,00 € / copy
set of parts, complete orchestral parts, on loan Carus 28.007/19, ISMN 979-0-007-20290-3 23 x 32 cm, without cover
  • 1 x individual part, violin, on loan (28.007/11)
     
    1 x individual part, bass instrument, on loan (28.007/12)
     
    1 x individual part, drumset, on loan (28.007/41)
     
    1 x individual part, percussion, on loan (28.007/42)
     
    1 x individual part, bandoneon, on loan (28.007/47)
     
    1 x individual part, pianoforte, on loan (28.007/48)
     
full score digital (download), pdf file Carus 28.007/00-010-000, ISMN 979-0-007-31358-6 64 pages, paperback
available
75,60 € / copy

Reviews

In seiner „Missa Latina” hat er [Bobbie Fischer] das komplette lateinische Ordinarium auf eine mitreißende, rhythmisch ansprechende Art und Weise vertont.
singende Kirche, 1/18

... ein kraftvolles und temperamentvolles Werk ... Diese ganz verschiedenen Richtungen stehen manchmal beobachtend im künstlerischen Dialog gegenüber und manchmal völlig ineinander verschmolzen, gemeinsam voneinander lernend und auf eine neue zukünftigen Musiksprache blickend. Gerade diese unterschiedliche Herangehensweise macht das Werk aus ... Die Mischung der Stilistiken ist ein Gewinn, weil es leicht geht ... Eine eindrucksvolle Messe!
Jean Kleeb, Musik & Kirche, März/April 2018

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