Choral collection Mozart / Haydn I (sacred works SSA/TTB)
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(4)
- Ave verum corpus
- O Gotteslamm
- Stella coeli
- Deinem Heiland
Additional material
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text (without music) for download, html file, Singing text, originalhtml file, Singing text, original (Sample)Ave verum corpus
natum de Maria Virgine,
vere passum, immolatum
in cruce pro homine:
Cuius latus perforatum
unda fluxit et sanguine,
esto nobis praegustatum
in mortis examine.Liturgie, 14. Jahrhundert
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text (without music) for download, html file, Singing text, english translationhtml file, Singing text, english translation (Sample)
Hail, true body,
born of the Virgin Mary,
truly tormented, sacrificed
on the cross for mankind,
from whose pierced side
flowed blood and water:
be our strength in the trial of death.Liturgy, 14th century
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text (without music) for download, html file, Singing text, German translationhtml file, Singing text, German translation (Sample)
Sei gegrüßt, wahrer Leib,
geboren aus Maria, der Jungfrau,
wahrhaft gelitten, geopfert
am Kreuz für die Menschen.
Aus deiner durchstoßenen Seite
floss Blut und Wasser:
sei uns Stärkung für die Prüfung des Todes.Liturgie, 14. Jahrhundert
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text (without music) for download, html file, Introductory text, Frenchhtml file, Introductory text, French (Sample)Texte du livret du CD Carus 83.353
Armin Kircher
Traduction (abrégé) : Sylvie Coquillat« La musique sacrée était le genre favori de Mozart », écrit Franz Xaver Niemetschek dans sa biographie de Mozart parue en 1798 à Prague. En dehors des multiples impressions musicales au cours de ses voyages, il se confronta sciemment à la tradition salzbourgeoise. Il tenait notamment en grande estime les œuvres de musique sacrée de Johann Michael Haydn, dont il se fit envoyer des copies à Vienne.
Mozart écrit en 1765 à l’âge de neuf ans sa première composition d’un texte religieux à Londres, au cours d’un voyage de presque trois ans et demie à travers l’Europe de l’Ouest. La brève pièce chorale de 23 mesures God is our Refuge KV 20 est écrite sur le deuxième verset du Psaume 46 et s’inspire du style de la musique d’église traditionnelle anglaise d’alors. Wolfgang écrivit son unique composition d’un texte anglais sous la houlette paternelle
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text (without music) for download, html file, Introductory text, Englishhtml file, Introductory text, English (Sample)Text from the CD Carus 83.353
Armin Kircher
Translation (abridged): John Coombs„Church music was Mozart’s favorite genre of composition” wrote Franz Xaver Niemetschek in his biography of Mozart published in Prague in 1798. Along with the many musical impressions gained during his journeys he studied closely the Salzburg tradition. He valued especially the church works of Michael Haydn, copies of which he asked to be sent to him in Vienna.
When he was nine years old Mozart composed his first setting of a sacred text in London in 1765 during the tour of western Europe which lasted for almost three and a half years. The short, 23-measure choral piece God is our Refuge, K. 20, is a setting of text from Psalm 46, and it is modelled on traditional English church music of the period. Wolfgang wrote this little choral work, his only setting of English words, under his father’s supervision, and as can
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text (without music) for download, html file, Introductory text, Germanhtml file, Introductory text, German (Sample)Gekürzter Booklet-Text der CD Carus 83.353
Armin Kircher
„Kirchenmusik war das Lieblingsfach Mozarts“ schrieb Franz Xaver Niemetschek in seiner im Jahr 1798 in Prag erschienenen Biographie Mozarts. Zeitlebens beschäftigte sich Mozart mit der geistlichen Musik. Neben den vielfältigen musikalischen Eindrücken auf seinen Reisen setzte er sich auch bewusst mit der Salzburger Tradition auseinander. Besonders schätzte er die kirchenmusikalischen Werke Johann Michael Haydns, von denen er sich Abschriften nach Wien schicken ließ.
Die erste Vertonung eines geistlichen Textes schuf Mozart 1765 im Alter von neun Jahren, auf der fast dreieinhalb Jahre dauernden Reise durch Westeuropa in London. Das kurze, 23-taktige Chorstück God is our Refuge KV 20 ist über den zweiten Vers aus Psalm 46 gearbeitet und nimmt den Stil der traditionellen englischen Kirchenmusik der Zeit zum Vorbild. Unklar ist, welcher Gattung das Werk zuzurechnen
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Contents
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Editor
Armin Kircher
| 1966-2015Armin Kircher studied church music at the Mozarteum in Salzburg. Until his death he was Director of the Church Music Department of the Archdiocese of Salzburg, and since 1992 he had been administrative director of the Österreichische Werkwoche für Kirchenmusik (Austrian Week for Church Music). He was also Director of Music at St Peter's Abbey, Salzburg and organist at the Cajetan Church in Salzburg. The collections he edited for the Catholic liturgy have become established standard works, in particular the choral collections Chorbuch Mozart • Haydn, the Chorbuch Kirchenjahr (Choirbook for the Church Year) and publications for organ and choir for the new Catholic hymnbook Gotteslob. Armin Kircher also made a name as an arranger of beautiful settings for choir and organ. Personal details
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