Johannes Brahms Song of the Fates

op. 89, 1882

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The Three Fates, or Parcae, were the goddesses of fate in Greek-Roman mythology, and sang on themes of curse and fate. The "Parzenlied" in Goethe’s verse drama “Iphigenie auf Tauris” is concerned with these themes and became the model for Johannes Brahms’s setting. His Gesang der Parzen (Song of the Fates) op. 89 describes in thrilling, eruptive sounds the fight to overcome the mythical curse through the purity of truthful, noble actions and the power of hope.

With a duration of around 12 minutes, the work can be combined with Brahms’s German Requiem in concert.
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full score, Foreword in German and English Carus 10.400/00, ISMN 979-0-007-26236-5 48 pages, paperback
available
21,95 € / copy
vocal score Carus 10.400/03, ISMN 979-0-007-26238-9 28 pages, paperback
available
12,95 € / copy
choral score Carus 10.400/05, ISMN 979-0-007-26239-6 16 pages, DIN A4, without cover Minimum order quantity: 20 copies
available
from 20 copies 6,95 € / copy
from 40 copies 6,26 € / copy
from 60 copies 5,56 € / copy
set of parts, complete orchestral parts Carus 10.400/19, ISMN 979-0-007-30026-5 23 x 32 cm
available
145,00 € / copy
  • 1 x set of parts, harmony parts, Flute 1 and Piccolo, flute 2, oboe 1, oboe 2, clarinet 1, clarinet 2, bassoon 1, bassoon 2, double bassoon, horn 1, horn 2, Horn 3 and 4, trumpets 1 and 2, alto trombone, tenor trombone, Bass trombone, tuba, timpani (10.400/09)
    each: 67,00 €
    9 x individual part, violin 1 (10.400/11)
    each: 2,95 €
    8 x individual part, violin 2 (10.400/12)
    each: 2,95 €
    7 x individual part, viola (10.400/13)
    each: 2,95 €
    6 x individual part, violoncello (10.400/14)
    each: 2,95 €
    5 x individual part, double bass (10.400/15)
    each: 2,95 €
full score digital (download), pdf file Carus 10.400/00-010-000, ISMN 979-0-007-26237-2 48 pages
available
19,80 € / copy
Additional product information
  • Johannes Brahms' study of musical tradition was of crucial importance to his output: he combined church modes, canonic technique, Baroque style and diction, Bach's counterpoint and Beethoven's thematic-motivic work with the harmonic and expressive achievements of Romanticism to form his own distinctive style. In this respect his choral songs and vocal quartets (e.g. the “Liebeslieder Waltzes” and “New Liebeslieder Waltzes”), often to folk song texts, in which a musical microcosm unfolds, are examplary. His “Deutsches Requiem”, available from Carus in several different versions, constitutes one of the most fascinating confessions of faith in the history of music. Personal details

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