Johannes Brahms Nänie

op. 82, 1880

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Brahms’ elegy Nänie op. 82, based on the poem by Friedrich von Schiller, was composed in 1880/81 following the death of the painter Anselm Feuerbach, whom Brahms greatly admired. In contrast with the poem, Brahms’ Nänie ends full of hope: after earthly decline, beauty can live on in art. As in his Deutsches Requiem op. 45, in Nänie Brahms creates a musical connection between mourning and consolation in an incomparable way. Inspired by the model of classical Roman-Greek laments, the work adopts the classical verse form chosen by Schiller – surely alluding to Feuerbach’s classically-inspired art.

Scored for mixed chorus and orchestra, we are publishing the work in a modern Urtext edition. One or more harps can be used ad lib. The primary source is the first printed edition of 1881. The latest scholarly discoveries as well as practical requirements have been taken into consideration. Performance material is available on sale as well as a vocal score, based on Brahms’s original vocal score, but in a revised performing version.
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  • Auch das Schöne muss sterben! Das Menschen und Götter bezwinget,
    nicht die eherne Brust rührt es des stygischen Zeus.
    Einmal nur erweichte die Liebe den Schattenbeherrscher,
    und an der Schwelle noch, streng, rief er zurück sein Geschenk.
    Nicht stillt Aphrodite dem schönen Knaben die Wunde,
    die in den zierlichen Leib grausam der Eber geritzt.
    Nicht errettet den göttlichen Held die unsterbliche Mutter,
    wenn er, am skäischen Tor fallend, sein Schicksal erfüllt.
    Aber sie steigt aus dem Meer mit allen Töchtern des Nereus,
    und die Klage hebt an um den verherrlichten Sohn.
    Siehe! Da weinen die Götter, es weinen die Göttinnen alle,
    dass das Schöne vergeht, dass das Vollkommene stirbt.
    Auch ein Klaglied zu sein im Mund der Geliebten, ist herrlich;
    denn das Gemeine geht klanglos zum Orkus hinab.

    Friedrich von Schiller (1759–1805)

     

    ...

  • And the beautiful too must die, even the beautiful die!
    What men and gods has conquered not the iron heart, melts not the Stygian Jove.
    Only once, for love, the Monarch of Shadows relented.
    But at the threshold he called (he) back his gift.
    Aphrodite stanches not the cruel wound,
    which in the lovely body the cruel boar has torn.
    Nor could mother immortal save the godly hero
    falling at the gate of Troy, falling his fate fulfilled.
    But from the sea she arises with the daughters of Nereus,
    and she mourns loud lamenting for the son now glorified.
    See, how mourn the gods, see, how mourn the goddesses all,
    that the beautiful fades, mourn that the highest dies.
    And a song of lament from heart of the loved is glorious,
    ah, to go songless and silent to Orcus’ dark reign.

    Mrs. J. P. Morgan (1845–1920?)

     

    ...

Purchase
full score, Foreword in German and English Carus 10.398/00, ISMN 979-0-007-25134-5 44 pages, paperback
available
21,50 € / copy
vocal score Carus 10.398/03, ISMN 979-0-007-25135-2 24 pages, paperback
available
10,20 € / copy
choral score Carus 10.398/05, ISMN 979-0-007-25136-9 12 pages, DIN A4, without cover Minimum order quantity: 20 copies
available
from 20 copies 5,50 € / copy
from 40 copies 4,95 € / copy
from 60 copies 4,40 € / copy
set of parts, complete orchestral parts Carus 10.398/19, ISMN 979-0-007-29300-0 23 x 32 cm, without cover
available
181,00 € / copy
  • 1 x set of parts, harmony parts, flute 1, flute 2, oboe 1, oboe 2, clarinet 1, clarinet 2, bassoon 1, bassoon 2, horn 1, horn 2, trombone 1, trombone 2, trombone 3, timpani, harp (10.398/09)
    each: 42,00 €
    9 x individual part, violin 1 (10.398/11)
    each: 4,80 €
    8 x individual part, violin 2 (10.398/12)
    each: 4,80 €
    7 x individual part, viola (10.398/13)
    each: 4,80 €
    6 x individual part, violoncello (10.398/14)
    each: 4,80 €
    5 x individual part, double bass (10.398/15)
    each: 4,80 €
full score digital (download), pdf file Carus 10.398/00-010-000, ISMN 979-0-007-29213-3 44 pages
available
19,40 € / copy
text (without music) for download, html file, Singing text, english translation Carus 10.398/00-360-000
available
5,00 € / copy
text (without music) for download, html file, Singing text, original Carus 10.398/00-380-000
available
3,00 € / copy
Additional product information
  • Johannes Brahms' study of musical tradition was of crucial importance to his output: he combined church modes, canonic technique, Baroque style and diction, Bach's counterpoint and Beethoven's thematic-motivic work with the harmonic and expressive achievements of Romanticism to form his own distinctive style. In this respect his choral songs and vocal quartets (e.g. the “Liebeslieder Waltzes” and “New Liebeslieder Waltzes”), often to folk song texts, in which a musical microcosm unfolds, are examplary. His “Deutsches Requiem”, available from Carus in several different versions, constitutes one of the most fascinating confessions of faith in the history of music. Personal details

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Frequent questions about this work

Is a harp required for a performance?

In the first edition of 1881 the harp is explicitly marked “ad libitum”. If no harp is available, an alternative solution has been suggested specifically for measures 67 ff by dividing the 1st violins. Nevertheless, the first edition recommends that if no harps are available, the violin part should be “played by several players, if possible”.
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