Georges Bizet Te Deum

1858

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As an acclaimed opera composer, Georges Bizet admitted that he had no real sensibility for sacred music. His Te Deum is nonetheless a truly fascinating and highly expressive work. From the majestic “Te Deum laudamus”, to the skillful choral fugue of “Fiat misericordia tua”, and the opening's powerful recapitulation, the composition shows no trace of the difficulties that beset the young Bizet by his own admission before he finally completed the work in 1858.

In the extensive trilingual preface to this Urtext edition, editor Marc Rigaudière illuminates the circumstances surrounding the composition of the Te Deum, a work which occupies a singular position in Bizet’s œuvre. The edition is based on the composer’s autograph score — the work's only surviving source. For the first time, this work is available with all performance parts.

Purchase
full score, Foreword in German, English and French Carus 27.187/00, ISMN 979-0-007-25459-9 88 pages, paperback
available
38,00 € / copy
vocal score Carus 27.187/03, ISMN 979-0-007-25460-5 40 pages, paperback
available
18,95 € / copy
choral score Carus 27.187/05, ISMN 979-0-007-25461-2 16 pages, DIN A4, without cover Minimum order quantity: 20 copies
available
from 20 copies 9,95 € / copy
from 40 copies 8,96 € / copy
from 60 copies 7,96 € / copy
set of parts, complete orchestral parts Carus 27.187/19, ISMN 979-0-007-30220-7 23 x 32 cm, without cover
available
164,00 € / copy
  • 1 x set of parts, harmony parts, flute 1, flute 2, oboe 1, oboe 2, clarinet 1, clarinet 2, bassoon 1, bassoon 2, trumpets 1 and 2, horn 1, horn 2, horn 3, horn 4, trombone 1, trombone 2, trombone 3 + ophicleide, timpani, harp (27.187/09)
    each: 69,00 €
    8 x individual part, violin 1 (27.187/11)
    each: 4,00 €
    7 x individual part, violin 2 (27.187/12)
    each: 4,00 €
    6 x individual part, viola (27.187/13)
    each: 4,00 €
    8 x individual part, violoncello (27.187/14)
    each: 4,00 €
    1 x individual part, double bass (27.187/15)
    each: 4,00 €
full score digital (download), pdf file Carus 27.187/00-010-000, ISMN 979-0-007-30181-1 88 pages, paperback
available
34,20 € / copy

Reviews

Die mustergültige musikwissenschaftliche Aufarbeitung spiegelt sich in dem ausführlichen Vorwort und einem kritischen Bericht wider.
Andreas Sagstetter, Musica sacra, Februar 2024


Vorbildlich ist dagegen das breite Angebot dieser Ausgabe, zu der nun erstmals neben der klar gestalteten Partitur und dem gut spielbaren Klavierauszug auch das Orchestermaterial käuflich erworben werden kann.
Chorzeit, No. 106. Juli/Aug 2023

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Frequent questions about this work

What instrument, if any, can replace it?

The historical ophicleide can be replaced by the tuba. In German-speaking countries, the ophicleide was little used, having been supplanted early on by the tuba. In France and many other countries, however, it was used throughout the 19th century.
Presumably the harp part was doubled.
In the French tradition, the word "dessus" refers to the highest voice of an instrument family and correspondingly also to the highest vocal voice. This can be divided into "I" and "II". The "Dessus II" therefore usually has a somewhat higher register than the "Alto" of a choir; it corresponds more to a Soprano II or Mezzo-Soprano. In the present work, therefore, some parts of the Dessus II are quite high for the alto. Often, however, all voices run in unison there, so that low focussing is no problem. Other passages can be easily adapted with small modifications (please see the editor's notes in the preface).
Due to the instrumentation with only two timpani, as prescribed in the sources, the notes to be played lie outside the harmony in some places and dissonances arise. However, out-of-harmony notes in the timpani were commonplace in Bizet's time, and listeners were used to them. Bizet prescribes only two timpani. Those who want to avoid dissonances use three timpani.
The work can be combined very well with the "Messe solennelle de sainte Cécile" of Charles Gounod (Carus 27.095/00).
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