Beethoven: Elegiac Song - Sheet music | Carus-Verlag

Ludwig van Beethoven Elegiac Song

Chant élégiaque op. 118

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Ludwig van Beethoven composed his Elegiac Song in memory of Eleonore Pasqualati, the wife of his long-standing friend and patron Johann Baptist Freiherr von Pasqualati zu Osterberg, who died young. The short choral piece, alternating between quiet pain and drama and with a discreet string accompaniment, was published for the first time in 1826. In addition to the vocal and string parts, there is a piano part which can be used as an alternative to the strings. This piano part is used as the basis of the Carus vocal score. A performance with just chorus and piano is therefore possible – although not the original version, this was one which was widespread from the beginning.
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full score Carus 10.396/00, ISMN 979-0-007-24000-4 12 pages, DIN A4, paperback
available
12,95 € / copy
vocal score Carus 10.396/03, ISMN 979-0-007-24001-1 8 pages, paperback
available
7,50 € / copy
choral score Carus 10.396/05, ISMN 979-0-007-24002-8 4 pages, DIN A4, without cover Minimum order quantity: 20 copies
available
2,40 € / copy
set of parts, complete orchestral parts Carus 10.396/19, ISMN 979-0-007-24676-1 DIN A4, without cover
available
11,80 € / copy
  • 1 x individual part, violin 1 (10.396/11)
    each: 3,50 €
    1 x individual part, violin 2 (10.396/12)
    each: 3,50 €
    1 x individual part, viola (10.396/13)
    each: 3,50 €
    1 x individual part, violoncello (10.396/14)
    each: 3,50 €
Additional product information
  • Ludwig van Beethoven was without doubt one of the most influential composers in the history of music. His works formed the culmination of many genres – particularly instrumental – of Viennese classicism, and laid the foundation for the following decades. But Beethoven’s vocal works set standards too: the late Missa Solemnis is one of the most impressive choral works of its time; but his earlier Mass in C also opens up new worlds of expression for the liturgical text, and set the benchmark for the further development in the composition of the mass. And with the final chorus of the Ninth Symphony, the setting of Schiller’s Ode to Joy, Beethoven created one of the most frequently-performed and best known choral pieces of all, writing a timeless musical memorial to himself. Personal details
  • Uwe Wolf studied musicology, history, and historical ancillary science at Tübingen and Göttingen. After receiving his doctorate in 1991 he was a research assistant at the Johann-Sebastian-Bach-Institut in Göttingen. From 2004 he worked at the Bach-Archiv Leipzig. There he directed a both research departments, was substantially responsible for the redisigning of the Bach Museum, and he developed the digital Online-Projekt Bach. Since October 2011 he has been the Chief Editor at Carus-Verlag, Stuttgart. He has taught at various universities and also belongs to the editorial boards of several complete editions. Personal details

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