Bach: Mass in G major - App / practice aid | Carus-Verlag

Johann Sebastian Bach Mass in G major

Kyrie-Gloria-Messe (Lutherische Messe) BWV 236, 1742 (terminus ante quem)

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As well as the Mass in B minor, Bach composed four further shorter mass settings. Despite their high musical qualities, they are often overshadowed by other church works by Bach. With their six-movement structure, they had their specific liturgical position in church services of Bach's time. But the challenges they present should not be underestimated: anyone who doesn't want to be left behind after the ceremonial opening in the "Cum Sancto Spiritu" needs to be confident of their notes in order to be on the ball in the "in gloria Dei Patris".

 

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Performers: Dorothee Mields (soprano), Benno Schachtner (alto), Benedikt Kristjánsson (tenore), Tobias Berndt (basso) – Gaechinger Cantorey – Hans-Christoph Rademann

 

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  • Kyrie
  • Gloria
  • Gratias
  • Domine Deus
  • Quoniam
  • Cum Sancto Spiritu
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  • Coro Lord, have mercy on us.
    Christ, have mercy on us.
    Lord, have mercy on us.

    Coro Glory be to God on high.
    And on earth peace to men of good will.
    We praise thee. We bless thee. We adore thee. We glorify thee.

    Aria (Basso) We give thee thanks for thy great glory.
    Lord God, heavenly King,
    almighty Father.
    O Lord, the only-begotten Son, Jesus Christ,

    Duetto (Soprano, Alto) O Lord God, Lamb of God, Son of the Father.
    Thou who takest away the sins of the world, receive our prayer.
    Thou that sittest at the right hand of the Father, have mercy upon us.

    Aria (Tenore)

    ...

  • Coro Herr, erbarme dich unser.
    Christus, erbarme dich unser.
    Herr, erbarme dich unser.

    Coro Ehre sei Gott in der Höhe.
    Und Friede auf Erden den Menschen, die guten Willens sind.
    Wir loben dich. Wir preisen dich. Wir beten dich an. Wir rühmen dich.

    Aria (Basso) Wir danken dir, denn groß ist deine Herrlichkeit.
    Herr und Gott, König des Himmels,
    allmächtiger Vater.
    Herr Jesus Christus, eingeborener Sohn.

    Duetto (Soprano, Alto) Herr und Gott, Lamm Gottes, Sohn des Vaters.
    Du nimmst hinweg die Sünden der Welt, nimm an unser Gebet.
    Du sitzest zur Rechten des Vaters, erbarme dich unser.

    ...

  • Coro Kyrie eleison.
    Christe eleison.
    Kyrie eleison.

    Coro Gloria in excelsis Deo.
    Et in terra pax hominibus bonae voluntatis.
    Laudamus te. Benedicimus te. Adoramus te. Glorificamus te.

    Aria (Basso) Gratias agimus tibi propter magnam gloriam tuam.
    Domine Deus, Rex coelestis,
    Deus Pater omnipotens.

    ...

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App, Browser based application Carus 73.236/02
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App, voice part soprano Carus 73.236/02-001-000
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App, voice part alto Carus 73.236/02-002-000
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App, voice part tenore Carus 73.236/02-003-000
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App, voice part basso Carus 73.236/02-004-000
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  • Johann Sebastian Bach is one of the most important composers of Western music history. He came from a widely ramified musical dynasty, which produced numerous musicians and organists in the Thuringian-Saxon area.

    Bach vocal

    Ever since Carus-Verlag was founded in 1972, publishing the music of Johann Sebastian Bach has been a special focus for us. In the 2017 Reformation anniversary year we completed the Bach vocal project. Bach's complete sacred vocal works are now available in modern Urtext editions, together with performance material. A complete edition of all the full scores is also available in a high quality box set. Personal details
  • Paul Horn war ein deutscher Kirchenmusiker, Organist, Komponist und Musikwissenschaftler. Er studierte Kirchenmusik und Orgel an der Evangelischen Kirchenmusikschule Esslingen am Neckar bei Hans-Arnold Metzger und Musikwissenschaft, Theologie und Geschichte an der Universität Tübingen. Seine berufliche Laufbahn begann als Kantor an der Evangelischen Michaelskirche in Stuttgart-Degerloch. 1954 wurde er Kantor an der Evangelischen Stadtkirche Ravensburg, eine Position, die er bis zu seiner Pensionierung innehatte. Als Musikwissenschaftler arbeitete Horn bis ins hohe Alter eng mit Carus zusammen. So stammen zahlreiche Carus-Klavierauszüge aus seiner Feder. Personal details
  • The Gaechinger Cantorey is the ensemble of the International Bach Academy Stuttgart. It combines a Baroque orchestra and a hand-picked choir to form a finely tuned early music ensemble. Under the baton of academy director Hans-Christoph Rademann, this ensemble is dedicated to the international dissemination of a “Stuttgart Bach style.” Since its re-establishment as the Gaechinger Cantorey in 2016, the ensemble of the International Bach Academy has gained renown with numerous performances in Germany, such as at the Musikfest Stuttgart, the Bachwoche Ansbach, the Bachfest Leipzig, the Rheingau Music Festival, the Festspielhaus Baden-Baden, the Dresden Kulturpalast, and the Hamburg Elbphilharmonie, as well as abroad at the Théâtre des Champs-Élysées in Paris, in the USA (Fort Lauderdale, Chapel Hill, Norfolk, Princeton, Los Angeles, Irvine, Williamsburg), in Canada (Montréal), and in South America (São Paulo, Rio de Janeiro, Buenos Aires, Lima, Santiago de Chile, Bogotá). In addition, the Gaechinger Cantorey with its director Hans-Christoph Rademann pursues a busy recording schedule. On the Stuttgart label Carus and on accentus music, the ensemble has recorded the Christmas Oratorio, cantatas and the two Passions by J.S. Bach, Handel’s Messiah, Haydn’s Creation and other works. Digital podcasts and concert streams with the Gaechinger Cantorey are also available in the Bach Academy’s media library. From May 2023 to June 2024, the Gaechinger Cantorey, under the direction of Hans-Christoph Rademann, will perform all J.S. Bach’s cantatas from his first year as Kantor at St. Thomas’s Church in Leipzig – exactly 300 years after the historic event in 1723/1724. CD recordings of all the concerts in churches and concert halls in Stuttgart and the surrounding area will be released by Hänssler Classic. The Gaechinger Cantorey regularly and enthusiastically participates in the various music education formats of the International Bach Academy under the motto “BachBewegt!,” in which children and young people are actively invited to sing, dance and experience music on stage or as listeners in the concert hall. These include family concerts, joint performances and danced interpretations of important masterpieces of the oratorio literature. Personal details
  • Conductor Hans-Christoph Rademann is an immensely versatile artist with a broad repertoire who devotes himself with equal passion and expertise both to the performance and rediscovery of early music and to the first performances and cultivation of Contemporary Music. Born in Dresden and raised in the Erzgebirge mountains, he was influenced at an early age by the great Central German kantorial and musical tradition. He was a student at the traditional Kreuzgymnasium, a member of the famous Kreuzchor, and studied choral and orchestral conducting at the Carl Maria von Weber University of Music in Dresden. During his studies, he founded the Dresdner Kammerchor and formed it into a top international choir which is still under his direction today. Since 2013, Hans-Christoph Rademann has been the academy director of the International Bach Academy Stuttgart. He regularly collaborates with leading choirs and ensembles of the international music scene. From 1999 to 2004 he was chief conductor of the NDR Choir and from 2007 to 2015 chief conductor of the RIAS Chamber Choir. Guest conducting engagements have led and continue to lead him to the Nederlandse Bachvereniging, the Collegium Vocale Gent, the Akademie für Alte Musik, the Freiburger Barockorchester, the Deutsche Radiophilharmonie Saarbrücken Kaiserslautern, the Sinfonieorchester Basel, the Orchestre Philharmonique de Luxembourg, among others. Hans-Christoph Rademann has been awarded prizes and honors for his artistic work, including the Johann Walter Plaque of the Saxon Music Council (2014), the Saxon Constitutional Medal (2008), the Sponsorship Prize as well as the Art Prize of the state capital Dresden (1994 and 2014 respectively). He received the Preis der Deutschen Schallplattenkritik several times for his numerous CD recordings (most recently in 2016), as well as the Grand Prix du Disque (2002), the Diapason d’Or (2006 & 2011), the CHOC de l’année 2011 and the Best Baroque Vocal Award 2014. In 2016 he was awarded the European Church Music Prize of the city of Schwäbisch Gmünd. His exemplary interpretation and recording of the complete works of Heinrich Schütz with the Dresdner Kammerchor in the Stuttgart Carus-Verlag, which was completed in 2019, was awarded the newly endowed Heinrich Schütz Prize as well as the OPUS KLASSIK 2020 in the same year. Hans-Christoph Rademann is professor of choral conducting at the Carl Maria von Weber University of Music in Dresden. He is also artistic director of the Musikfest Erzgebirge, ambassador of the Erzgebirge and patron of the Christian Hospice Service Dresden. Personal details
  • Tobias Berndt began his musical education in the Dresden Kreuzchor. He studied with Christian Polster in Leipzig and continued his training with Rudolf Piernay in Mannheim. He also studied with Dietrich Fischer-Dieskau and Thomas Quasthoff. He was a laureate in numerous renowned singing competitions, winning – among others – the International Das Lied Competition in Berlin, the International Brahms Competition and the Cantilena Singing Competition. Tobias Berndt has also established himself abroad as an opera and concert singer. He has collaborated with conductors such as Philippe Herreweghe, Helmuth Rilling, Frieder Bernius, Teodor Currentzis, Marcus Creed, Hans-Christoph Rademann, Andrea Marcon, Marek Janowski and Sir Roger Norrington and has performed at the Berliner Philharmonie, the Tonhalle in Zurich, the Concertgebouw Amsterdam, the Leipzig Gewandhaus, the Tchaikovsky Concert Hall in Moscow, the Teatro Colon in Buenos Aires and at Lincoln Center in New York. He has also performed at important festivals such as the Prague Spring, the Rheingau Musik Festival, the Händel Festivals in Göttingen und Halle, the Bachfest Leipzig, the Oregon Bach Festival and the International Music Festival in Peking. An extensive discography attests to his versatile artistic activities. Personal details

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