![Bach: All glory to the Lord, our God - Sheet music | Carus-Verlag Bach: All glory to the Lord, our God - Sheet music | Carus-Verlag](https://www.carusmedia.com/images-intern/medien//30/3112900/3112900u.jpg)
The cantata Gelobet sei der Herr, mein Gott BWV 129 (All Glory to the Lord, our God) is one of several chorale cantatas that Bach later added to his chorale cantata cycle after it was discontinued at Easter 1726; it was not composed until Trinity 1727. Unlike the chorale cantatas of the 1724/25 cycle, BWV 129 lacks the usual mixture of formal chorale text in the outer movements alongside newer writing, often including paraphrases of the chorale, in the inner movements of arias and recitatives. Instead, in this cantata the text closely follows the original chorale version. Consequently Bach dispenses here with recitatives. The magnificent outer movements consist of a motet-like opening chorus (strophe 1) with a full orchestra, and a similarly scored final chorale movement (strophe 5). In between, Bach sets verses 2-4 of the song as three solo arias in the distinctive style of chamber music, but not without echoes of the chorale melody.
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Composer
Johann Sebastian Bach
| 1685-1750Johann Sebastian Bach is one of the most important composers of Western music history. He came from a widely ramified musical dynasty, which produced numerous musicians and organists in the Thuringian-Saxon area.
Bach vocal
Ever since Carus-Verlag was founded in 1972, publishing the music of Johann Sebastian Bach has been a special focus for us. In the 2017 Reformation anniversary year we completed the Bach vocal project. Bach's complete sacred vocal works are now available in modern Urtext editions, together with performance material. A complete edition of all the full scores is also available in a high quality box set. Personal details
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Editor
Christine Blanken
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Vocal score arranger
Paul Horn
| 1922-2016Paul Horn war ein deutscher Kirchenmusiker, Organist, Komponist und Musikwissenschaftler. Er studierte Kirchenmusik und Orgel an der Evangelischen Kirchenmusikschule Esslingen am Neckar bei Hans-Arnold Metzger und Musikwissenschaft, Theologie und Geschichte an der Universität Tübingen. Seine berufliche Laufbahn begann als Kantor an der Evangelischen Michaelskirche in Stuttgart-Degerloch. 1954 wurde er Kantor an der Evangelischen Stadtkirche Ravensburg, eine Position, die er bis zu seiner Pensionierung innehatte. Als Musikwissenschaftler arbeitete Horn bis ins hohe Alter eng mit Carus zusammen. So stammen zahlreiche Carus-Klavierauszüge aus seiner Feder. Personal details
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Translator
Henry Drinker