Mendelssohn Bartholdy: Salve Regina - Sheet music | Carus-Verlag

Felix Mendelssohn Bartholdy Salve Regina

1824

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also contains a stand-alone arrangement for organ
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  • Salve Regina
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  • Hail, Queen of heaven,
    Mother of love and graciousness.
    Life with its sweetness and hope most blessed,
    to you we cry here, we exiles, the sons of Eve’s children;
    to you we do sigh here, with weeping and pleading,
    in this dark and sorrowful valley.
    For you are our helper, the advocate for us;
    with your eyes full of grace look upon us.
    And Jesus, the most blessed fruit of your own body,
    after we end this exile here, make known to us.
    O gracious, O holy, O lovely Virgin Mary.

    ...

  • Gegrüßet seist du, Königin,
    Mutter der Barmherzigkeit,
    unser Leben, unsere Süßigkeit und unsere Hoffnung.
    Zu dir rufen wir, elende Kinder Evas.
    Zu dir seufzen wir trauernd und weinend
    in diesem Tal der Tränen.
    Wohlan denn, unsere Fürsprecherin!
    Wende deine barmherzigen Augen zu uns, und nach diesem Elend
    zeige uns Jesus, die gebenedeite Frucht deines Leibes.
    O gütige, o milde, o süße Jungfrau Maria.

    ...

  • Salve Regina,
    mater misericordiae.
    Vita, dulcedo, et spes nostra, salve.
    Ad te clamamus, exsules, filii Evae.
    Ad te suspiramus, gementes et flentes
    in hac lacrimarum valle.
    Eja ergo, Advocata nostra,
    illos tuos misericordes oculos ad nos converte.
    Et Jesum, benedictum fructum ventris tui,
    nobis post hoc exsilium ostende.
    O clemens, o pia, o dulcis Virgo Maria!

    ...

  • ...

  • Booklet-Text der CD Carus 83.470

    Felix Loy

    Als letzte der vier Marianischen Antiphonen wird das Salve Regina in der katholischen Liturgie in der Komplet (Abendgebet) von Pfingsten bis Advent verwendet. Musikalisch hat sie eine reiche Geschichte, vor allem seit dem 17. Jahrhundert entstanden zahlreiche Vertonungen für festliche Mariengottesdienste. Felix Mendelssohn Bartholdy schrieb sein Salve Regina in Es-Dur 1823, im Alter von vierzehn Jahren. Während Mendelssohns „protestantische“ Werke, etwa seine Kantaten und Oratorien, an den hierfür damals als klassisch angesehenen Werken Bachs und Händels orientiert waren, ist das vorliegende Werk hörbar vom katholischen Stil der süddeutsch-österreichischen Klassiker inspiriert. Mozarts Kirchenmusik war Mendelssohn hier sicher vorbildhaft; Franz Schubert hatte sein Salve Regina in A-Dur (D 676) 1818, also nur fünf Jahre

    ...

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full score Carus 40.798/00, ISMN 979-0-007-07783-9 16 pages, DIN A4, paperback
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8,50 € / copy
reduction for organ Carus 40.798/03, ISMN 979-0-007-09172-9 8 pages, DIN A4, without cover
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5,95 € / copy
set of parts, complete orchestral parts Carus 40.798/19, ISMN 979-0-007-13822-6 23 x 32 cm, without cover
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53,00 € / copy
  • 6 x individual part, violin 1 (40.798/11)
    each: 3,10 €
    5 x individual part, violin 2 (40.798/12)
    each: 3,10 €
    4 x individual part, viola (40.798/13)
    each: 3,10 €
    3 x individual part, violoncello (40.798/14)
    each: 3,10 €
    2 x individual part, double bass (40.798/15)
    each: 3,10 €
full score digital (download), pdf file Carus 40.798/00-010-000, ISMN 979-0-007-26100-9 16 pages, DIN A4
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text (without music) for download, html file, Introductory text, German Carus 40.798/00-310-000
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text (without music) for download, html file, Introductory text, English Carus 40.798/00-320-000
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text (without music) for download, html file, Singing text, German translation Carus 40.798/00-350-000
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text (without music) for download, html file, Singing text, english translation Carus 40.798/00-360-000
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text (without music) for download, html file, Singing text, original Carus 40.798/00-380-000
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Additional product information
  • The publisher, church musician and teacher Günter Graulich is one of the major personalities in German publishing of the post-war period. With his wife Waltraud he founded Carus-Verlag Stuttgart in 1972, which he built up from a 2-person family firm to a medium-sized business with around 60 employees. A trained church musician and Kantor for many years at the Matthäuskirche Stuttgart, he also directed the Motettenchor Stuttgart for 50 years. With his choir he made LP and CD recordings, and undertook numerous concert tours to other European countries and America. Personal details

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