Debussy: Two Melodies based on words by Paul Burget. Vocal transcription by Clytus Gottwald - Sheet music | Carus-Verlag

Claude Debussy Two Melodies based on words by Paul Burget. Vocal transcription by Clytus Gottwald

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  • Unbenanntes Dokument Paysage sentimental

    Le ciel d’hiver, si doux, si triste, si dormant,
    où le soleil errait parmi des vapeurs blanches,
    était pareil au doux, au profond sentiment
    qui nous rendait heureux mélancoliquement,
    par cet après-midi de baisers sous les branches.

    Branches mortes qu’aucun souffle ne remuait,
    branches noires avec quelque feuille fanée,
    ah ! que ta bouche s’est à ma bouche donnée
    plus tendrement encor dans ce grand bois muet,
    et dans cette langueur de la mort de l’année !

    La mort de Tout sinon de Toi que j’aime tant,
    et sinon du bonheur dont mon Ame est comblée,

    ...

  • Unbenanntes Dokument Empfindsame Landschaft

    Der Winterhimmel, so zart, so traurig, so still,
    an dem die Sonne inmitten weißer Dämpfe
    umherwanderte,
    glich dem zarten, tiefen Gefühl,
    das uns wehmütig glücklich machte
    an diesen Nachmittag der Küsse unter den Zweigen.

    Tote Zweige, die kein Hauch berührte,
    schwarze Zweige mit etwas welkem Laub,
    ach, dass sich dein Mund dem meinen gegeben hat,
    viel zärtlicher noch in diesem großen, stummen Gehölz
    und in dieser Mattigkeit des verscheidenden Jahres.

    Der Tod von allem, außer von dir, die ich so liebe,

    ...

  • Unbenanntes Dokument Sentimental landscape

    The winter sky, so soft, so dreary, so still,
    through which the sun strayed among white haze,
    it was like a soft, profound feeling,
    that made us wistfully happy,
    on that afternoon kissing beneath the branches.

    Dried branches, not stirred by a breeze,
    black branches with scattered wilting leaves.
    Ah! How you gave your lips to mine
    still more tender in this huge silent wood,
    in this languor of death at year’s end.

    The death of all things but for you, whom I love so much,
    and but for the happiness which fulfills my soul,

    ...

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full score Carus 9.167/00, ISMN 979-0-007-18171-0 12 pages, DIN A4, without cover
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text (without music) for download, html file, Singing text, German translation Carus 9.167/00-350-000
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text (without music) for download, html file, Singing text, original Carus 9.167/00-380-000
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  • The choral conductor, composer and musicologist Clytus Gottwald (1925 - 2023) made significant contributions to contemporary choral music. As editor for New Music at Südfunk Stuttgart and founder and director of the Schola Cantorum Stuttgart, he was in productive exchange with his contemporaries, Pierre Boulez, Mauricio Kagel, György Ligeti, Luigi Nono, Karlheinz Stockhausen and many others. With his Schola Cantorum, a 16-voice chamber vocal ensemble, Gottwald decisively shaped the a cappella choral culture of the highest technical level that is taken for granted today. Clytus Gottwald's transcriptions of piano songs and instrumental pieces for unaccompanied choir are appreciated by choirs all over the world. Modelled on the style of Ligeti, his works set the highest of musical standards. Clytus Gottwald has received several awards for his services, including the Cultural Prize of Baden-Württemberg in 2009, the European Church Music Prize in 2012, and the Cross of Merit of the Federal Republic of Germany in 2014. His importance for the development of contemporary choral music cannot be overestimated. Personal details

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